Antigone Research Paper

Haimon argues with his father that he is ignorant of the entire situation. Antigone should be seen as a hero, as she was brave enough to go against the law and follow her heart. Creon thinks that his son is just a love struck fool and too young to understand. Creon tells his son "Son your pathethic. You give in to a women (46)”. Creon told Haimon this because he thinks that his son is young and immature and is in love with Antigone and wants him to pardon her because of that reason. Haimon is correct in the things he is saying, but Creon does not think so. Haimon brings up that the town of thebes nothing against Antigone or her deeds. Creon does not listen and gives Antogone the cruelest punishment to showcase the danger of going against his

An hour after “Antigone by Sophocles” has ended, in which Creon reflects such happenings. A magical mirror appeared on the wall in the palace. A gift from the gods indeed. Astraea, the god of truth appeared in the mirror. “Asking any question you wish, King of Thebes?”

Is Antigone a personal rebel or a principled rebel? Which kind of rebellion, if any, does Sophocles support, and why? Intro: In Sophocles’ play Antigone, Antigone shifts between a personal and a principled rebel.

Stand for what you truly believe in and you can die. Harsh punishments, or even death, can be inflicted on people who stand up for what they believe in while everyone else takes a seat and watches. Antigone is a perfect example for a person who doesn't give up while everyone else just turns their heads. She is punished for heroic acts and is put to death for disobeying the unacceptable rule of letting her brother rot without a proper burial. Before she is put to her death, she makes her intentions clear and is not willing to back down on her decision, “And if I have to die for this pure crime./ I am content, for I shall rest beside him:/ His love will answer mine”(lines 72-74). Antigone is saying that she is not afraid to die for burying her

In Greek plays, symbolism of birds influence the connection between characters and bird. A bird like an eagle, represents strength and bravery, while birds such as crows or vultures, symbolizes death. In Antigone, Sophocles illustrates a young girl, Antigone, fatal flaws and poor decisions a moral dilemma of burying her brother, Polyneices, or leave him to be scavenged by carnivorous birds. Despite Sophocles using the traditional banal kind of Greek plays, Sophocles portrays the birds as affecting the characters of the play. In doing so, Sophocles uses birds to characterise each character, dead or alive in the play.

Antigone Research Paper Traditionally, in Ancient Greece, a writer’s work depicted what they knew, whether it be astrology, war, love, tragedy, etc. Sophocles, the writer of Antigone, reflects Greek culture in his work as he uncovers the true views on women and marriage, also weaving in his own. While some characters in the play accurately portray Ancient Greek views of women's status and their marriage, Sophocles also includes characters who contradict these views. Ismene accurately portrays the Greek view of women; however, Antigone does not. In ancient Greece, women were not recognized as adults (Vivante).

The narration of "Antigone" back in 500 B.C. by Sophocles; Antigone, the main character, has a similar life mirroring mine. In Antigone, Antigone sails through dilemmas with her family, all to end it in death. Antigone and I relate in this way because of family, our makeup, and daily tasks that revolve around family conjunctures. In this report, I will deeply affirm and describe how our lives companion with each other. Besides being royalty, Antigone and I have had similar family conundrums.

Women in Greek Society Throughout history, women have been known to play many different roles in society. Both Sophocles and Euripides discuss the role of women in Greek society in their respective plays Antigone and Medea. Sophocles writes the story of a daring woman willing to sacrifice her life for the honor of her brother. Euripides writes of a broken-hearted woman who seeks revenge on her ex-lover.

“Pleasure to her alone who mock us, Merciless Aphrodite” (655-6) Aphrodite is the goddess of love, whose power none can escape from (647). Sophocles’ “Antigone” highlights the relationship between two young lovers: Haimon and Antigone. Their tale ends tragically as the two decided to take fate into their own hands and ended their lives. This sounds like the story of Shakespeare’s star-cross lover – and at a first glance, one could perhaps see “Antigone” simply as a sad love story – except for the fact that this relationship seems to be one-sided, with Haimon carrying all the emotional burden. In the end, while it was Antigone’s own pursuit to achieve Arete that led to her death, for Haimon, it was his love for Antigone that led him to his.

Antigone was a Greek tragedy with multiple acts and scenes written by Sophocles around 441 b.c. The Game, was a one-act play written by Louise Bryant in 1916. Both plays have strong protagonists and antagonists. They have minimal stage directions allowing freedom and movement. The plays were written in a Dramatic Point-of-View so the audience does not know the internal thoughts or emotions of the characters and instead uses dialogue to characterize the individuals.

Antigone was defiant against Creon’s declaration and was thrown in a dungeon to starve to death as punishment. Antigone’s husband Haimon, who was also Creon’s son, went to check on her in the dungeon and when the guards went to check on Antigone they found both of them lying having committed suicide. Once the news reached Creon’s wife that her son was dead, she committed suicide herself. Creon suffered three losses in his family as the result of ways of reigning. In Sophocles’ play Antigone, Creon is

Antigone and the other two plays that constitute the Oedipus Cycle are essentially a family drama that concerns how one anomalous family struggles with the consequences of their ever accumulating mistakes. Throughout the play, Sophocles explores the relationship between family and State--as represented by the characters of Antigone and Creon, respectively--in order to ultimately clarify to his audience that family duty outweighs civic duty. Sophocles uses Antigone and her devotion to her family throughout the play to offer his audience an example of responsibility to one’s family predominating one’s responsibility to the State. To Antigone, her family is invariably more important than the laws and function of the State.

The patient is an 82-year-old male who presented to the hospital because his daughter found the morning of presentation that his PEG tube was completely on the side of the bed was completely dislodged during the night. The family offered him Glucerna thru a straw which he promptly drank without any agitation, difficulty or coughing. They present now with questions about having the new tube replaced. His medical history is quite significant. He was hospitalist December 2016 with altered mental status. He appeared to have aspiration pneumonia and was intensive care unit on ventilatory support and was being given nutrition with NG tube and after debate with the family a PEG was inserted. However, over the last 3 months the patient has significantly

Tragedy is amongst us all for every second of every day. There are extreme tragic events, which bring depression to mass amounts of people, and there are small tragic events, that sometimes go unnoticed to the public eye. Antigone, written by Sophocles, is an extreme Greek tragedy, because all the protagonists have a rise and fall throughout the play, ultimately ending in death. Creon, the ruler of the state at the time, sits in the middle of the chaotic rise and fall, trying to control the fate of his surrounding peers, unaware that his fate will be surprising the worst. Creon’s rigidity to preserve the laws of the state establishes the state as superior to his own family. However, after the deaths of Antigone, Haemon, and Eurydice, the wellness of the state that Creon tries to preserve along with Creon himself is ruined, illustrating the tragic irony.

Tragic heroes are not symbols of virtue nor possess any significant evil, yet their flaws are magnified by the power they hold. Most individuals in society do not seek to bring harm to others. Their intentions are based on their principles of righteousness and doctrine, and these individuals can often be great leaders who are forced to make difficult decisions. However, even the most honor bound persons can be greatly influenced by the sin of pride; which can lead to the suffering of others. In the play Antigone by Sophocles, Creon punishes Antigone for defying him. This is not because Creon is evil, moreso because he justifies them as beneficial.Sophocles intends to create an Aristotelian tragedy; using Creon as the tragic hero, in conjunction with supporting thematic expressions shown throughout the play such as power and morality. Creon becomes the primary “conductor” of tragedy in Antigone, providing catastrophe to befall on himself as well as two main characters. Sophocles illustrates how it is unavoidable for a person in a high position of power to cause harm to others. Haemon who is Antigone’s husband suffers through the weight of his wife's impending death. The overall tragic atmosphere of loss and suffering the author creates stems from an intentional placement by the author as Sophocles as he illustrates the coexisting and contrasting elements of divinity and civil law.