preview

Compare And Contrast The Valley Of Ashes In The Great Gatsby

Decent Essays

Imagine a world where one side of the equator was filled with wealth, happiness, and content. Now imagine the other side of the equator filled with poverty, sadness, and death. These two completely opposing halves enhance each other's descriptions and make one think of each side more deeply about the concept. This same scenario is also present in one of America’s favorite novels based upon the 1920s and the American dream. In F. Scott Fitzgerald’s novel, The Great Gatsby, Fitzgerald juxtaposes two contrasting places, the Valley of Ashes and New York City, using imagery to magnify the difference between reality and a fantasy, which is central to the meaning of the work. The Valley of Ashes is halfway between West Egg of Long Island and New York City. When one comes upon the Valley of Ashes, it is not what they see, but what they do not see: sunshine, colors, or a settling feeling. The Valley of Ashes is nothing but a dull location, filled with unsatisfied farmers, unsuccessful gardens, billowing smoke, and mounds of ashes that are prominent below the gray skies. Nick Carraway, the narrator of The Great Gatsby, describes the Valley of Ashes as “...a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke and, finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air” (Fitzgerald 23). Fitzgerald describes this location as unpleasant for those who enter and it is seen as a vulnerable place due to the billboard of Dr. T.J. Eckleburg looking upon the location at all times. This descriptive quote foreshadows that something bad will occur in this area during the novel. As for New York City, in the novel it is defined as the perfect place to live life to the fullest and not have a care of the world. As a reader, it is expected to envision this city full of lights as a bright, restless, and colorful place. Nick Carraway depicts New York City as a “...city rising up across the river in white heaps and sugar lumps all built with a wish out of non-olfactory money. The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of

Get Access