David Lockyer's War Limericks

Whether it’s war or terrorism, children who want to grow securely is living amongst the affected nation. War is obliterating those talented individuals in their childhood who can radically transform the world itself. The two disputed countries may also have justifications to protect the welfares of their own people. There can be wealth and nuclear weapons to demolish this world as a whole. However, peacefully negotiated approach is coveted to compromise on each other. No country can rationalize weapons of mass obliteration and debacles. Often, it is a foolish decision of the pioneers of the country, making it a pretext for the combat. It’s the upright soldiers and their families who need to survive the demise and serious injuries from the weapons. For the last centuries, the spontaneous overflow of poetry has portrayed human emotions concerning wide range of universal issues. Both the poets Donald Bruce Dawe and Wilfred Owen exemplify this cataclysm of losing your families and the conditions the soldiers face, through their notable poems Homecoming and Dulce et Decorum Est.

The speaker's life before war is left far below and even feels like an illusion. Like a "dream," it is gone. When the speaker “woke to black flak and the nightmare fighters”, he woke up to his worst nightmare, enemy fighters approaching the bomber. If we take a close look at lines three and four together, there is a stark contrast. Line three is very peaceful and serene, the words “dream”, “life”, and “earth” usually have positive connotations; while line four is certain death, with words like “nightmare” and “black flak”. The last line of the poem is very straightforward, and is almost prose. It tells us exactly what we need to know. When the bomber got back to the base, they cleaned the speakers remains out of the turret with a hose. If we continue the metaphor of the bomber being the mother, we can conclude that the speaker is being born into death through the womb of “the State”.

Para-rhymes, in Owen’s poetry, generate a sense of incompleteness while creating a pessimistic, gloomy effect to give an impression of sombreness. Strong rhyming schemes are often interrupted unexpectedly with a para-rhyme to incorporate doubt to every aspect of this Great War. Who are the real villains and why are hundreds of thousands of lives being wasted in a war with no meaning? In ‘Anthem for Doomed Youth’, the consistent sonnet rhyming scheme is disturbed by a half rhyme, “guns … orisons”, to show how the soldiers all died alone with only the weapons that killed them by their side, and a visual rhyme, “all … pall” to indicate that the reality of war is entirely the opposite to what it seems - no glory, no joy and no heroism, but only death and destruction. Owen occasionally works with this technique in a reverse approach to create similar thought. For instance, the assonance, consonance and half rhyme based poem, ‘The Last Laugh’, contains an unforeseen full rhyme, “moaned … groaned”, to emphasise that nothing is ever fixed in war except the ghastly fact that the weapons are the true winners. Different forms of Para rhymes often work together with common schemes to ably bring out the main ideas of Owen’s poetry.

Repetition is another key poetic device used in the poem, and considering its effect on the reader gives insight as to what the speaker may be emphasizing as significant. The word “dread” is repeated several times throughout the poem, specifically in lines 12 and 15. The Oxford English Dictionary defines it as “feared greatly…dreadful, terrible.” Because this word is used so many times, it draws the reader’s attention and contributes even more to the imagery of the Tyger. The repetition of the first stanza forms a sort of introduction and conclusion. The few differences between them get the reader’s attention and point out significant ideas that go along with the meaning of the poem. The comma in line 21 shows hesitation, and the colon in line 22 commands the attention of the Tyger as the speaker

The collection of poems “Theater”, “Water”, and “Safe House” by Solmaz Sharif shows the varied viewpoints of how war affects the speakers and how death is all too common in the midst of warfare. The author uses a spectrum of literary techniques to enhance the experience of the reader, so we can fully grasp the severity of each speaker’s plight. All of Sharif’s poems differ in form with the use of white space and indentations in “Theater”, colons in “Water”, and a style of abecedarian using the letter S in “Safe House”. While her diverse use of forms generate different emotions from the reader, they share the same notion of how violence is problematic. Each poem has a unique outlook to the sight of war: “Theater” being in the position of a victim and an assailant of war, “Water” explaining a war mission and fatalities in terse terms, and “Safe House” as an observer of an activist against war. Sharif’s strategy to exemplify the effects of how war affects the victim and the civilian is particularly critical because mass media tends to hide the collateral damage of war and only illustrates why we should attack the “enemy”. Another approach the author uses to critique the speakers central conflicts is by arranging words from the US Department of Defense 's Dictionary of Military and Associated Terms, to concur with the message of the several ways war influences the lives of those who are unwillingly encompassed by it. Sharif uses poetry as an outlet to show the underlying tone

In “September, 1918”, Amy Lowell shows her readers an interesting and illuminating poem. That war can be an ugly time and the people that experience it often seems to live in a “broken world” (19). To fight an evil, sometimes war is needed, nonetheless it is still costly to the people living through the war. Some in a literal sense, like soldiers fighting in a war, while some in a physical sense by the world that they now see and live in. I find the poem truly interesting though, in how the author shows that even in war we can still hold onto hope for more promising days. Lowell portrays a melancholy mood throughout her poem that makes her readers thinking about war but also the hope of it being over.

The author of the poem “The Death of the Ball Turret Gunner” purposely writes it without a fixed structure of rhythm or rhyme. Composing strict metrical patterns or rhyme schemes

Poets frequently utilize vivid images to further depict the overall meaning of their works. The imagery in “& the War Was in Its Infancy Then,” by Maurice Emerson Decaul, conveys mental images in the reader’s mind that shows the physical damage of war with the addition of the emotional effect it has on a person. The reader can conclude the speaker is a soldier because the poem is written from a soldier’s point of view, someone who had to have been a first hand witness. The poem is about a man who is emotionally damaged due to war and has had to learn to cope with his surroundings. By use of imagery the reader gets a deeper sense of how the man felt during the war. Through the use of imagery, tone, and deeper meaning, Decaul shows us the

By using repeating sound of words starting with same letter, it makes the reader easy to imagine the image of the war. In ‘Exposure’, he says ‘Flowing flakes the flocks’. It slows down speed the tempo of the poem so it keeps a poetic ‘pause’ in this quote. By having a time for the poetic ‘pause’, it creates the connotation to increase the tension among the poem and to make the reader to feel the sense of tension from the poem. Also, with ‘Only the stuttering rifles’ rapid rattle’ in ‘Anthem for Doomed Youth’, it catches the reader’s attention and builds the intensity by the ‘r’ sound in this quote. The ‘r’ sound raises the momentum of the poem. Reading ‘rifles’ rapid rattle’ gives the sound of the rifles shooting in the battlefield. Wilfred Owen strongly indicates his anti-war feeling from the alteration. This quotation explains the rifles of the guns take the soldier’s life and the endless gunfight even though the soldiers die. There is no rites or prayers for

Use of free verse in this poem creates a lack of structure that appears to parallel the soldier’s own lack of structure and direction in his own life after he leaves the war. The poem begins with the image of a soldier's and his squadron raiding a farmhouse:

The style of “Belfast confetti” is structured in terms of stanzas but it does not follow a rhyming pattern, it has a long line of writing then the next line is short and cycles through this throughout the poem. The reason he choose this style was so that it gets them poem moving fast but then a pause.

Poems using strong poetic technique and devices are able to create a wide range of emotions from the readers. Wilfred Owen’s poetry effectively uses these poetic techniques and devices to not only create unsettling images about war but to provide his opinion about war itself with the use of themes within his poem. The use of these themes explored Owen’s ideas on the futility of war and can be seen in the poems: Anthem for Doomed Youth, Futility and The Next War. The poems provide unsettling images and belief of war through the treatment of death, barbaric nature of war and the futility of war.

Rhyme is found all throughout the poem and has a huge effect on the reader. Blake used rhyme and detail to create some more wicked thoughts of the Tyger in the readers mind. Each stanza is made up of two couplets. Because these couplets keep a steady going rhyme, we

Overall, I think that that this poem explores the relationship of the father and the son in a way which Vernon Scannell can talk about his past experience in being in the war which gives the reader an opportunity to look at the poem from a different perspective. Scannell has written this poem in retrospect in the past and the poem itself, in its narrative tone, shows the reader two different stories that are symbolised into one poem.

How is the theme of war portrayed through imagery in the poems Lament by Gillian Clarke and War Photographer by Carol Ann Duffy?