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Figurative Language In Fahrenheit 451

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The world of burning books, talking parlor walls, and speeding cars captivated the readers who read Ray Bradbury’s dystopian novel, Fahrenheit 451. Through the use of figurative language, Bradbury creates a complex, yet a dull-minded, society where literature and human philosophy are degenerating. Bradbury illustrates this society through the protagonist, Guy Montag, who develops and changes his mentality on his society throughout the novel after realizing the truth behind it. However, Bradbury does not only paint the truth about Montag’s society, but he also conveys a representation of our society through the media of Fahrenheit 451. The media of Fahrenheit 451 displays a rather disillusioned, ‘perfect’ image of how this society portrays itself to be even though it is the opposite.

To start off, a huge aspect of Fahrenheit 451 would be the media’s representation of displaying things as ‘perfect’. This brainwashing presence of the media in the novel can be shown through the parlor screen walls(‘television screen’), along with alluring advertisements of toothpaste. In the world of Montag, everyone seems to be so absorbed on their television to the point where even real-life interactions are non-existent. This example is hugely shown through Montag’s wife, Mildred who has an obsession with a ‘t.v show’ she called “the family” with whom she interacts and talks with. “The family”, or the actors on the screen, are shown to have a happy and fun life filled with funny situations and cheesy lines. When in actuality, Mildred is unhappy as disconnects herself from her personal relationship with her husband, Montag and shows to be more focused on the people on the parlor wall instead. An example of this is shown when Mildred ignores Montag’s question about her overdose and instead tells him to install another parlor wall in their home, so their living room would be like “all kinds of exotic people’s rooms”(21). Her insistence on having another parlor wall reveals a desire to be in another alternate world, or exotic room, rather than the reality, or the house she dwells in. In addition to parlor walls, the tendency display things as ‘perfect’ in the media of Montag’s society are also shown in advertisements. A

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