Houses as Motif: Kate Chopins the Awakening

In The Awakening, the mother-women were “women who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals and grow wings as ministering angels (Chopin 19).” They readily relinquished their individual identities. Madame Ratignolle exemplified the role of the mother-woman as she was defined by and found pleasure in her roles of both wife and mother: she “played [the piano] very well, keeping excellent waltz time and infusing an expression into the strings that … inspired… keeping up her music on account of the children… because she and her husband both considered it a means of brightening the home and making it attractive (Chopin 61).” Although Edna revels in motherhood, she believes that there is an ideal truth beyond it. This truth, according to Dyer, cannot coexist with the social, the moral, or even the biological obligations of motherhood (105). Edna, therefore, finds

Ranging from caged parrots to the meadow in Kentucky, symbols and settings in The Awakening are prominent and provide a deeper meaning than the text does alone. Throughout The Awakening by Kate Chopin, symbols and setting recur representing Edna’s current progress in her awakening. The reader can interpret these and see a timeline of Edna’s changes and turmoil as she undergoes her changes and awakening.

The theme of The Awakening is centered on Edna’s journey of individual identification and independence. Chopin condemns gender roles and pleads to the public to look at women as equals and not just commodities to be married off. Women should have all the

Kate Chopin’s The Awakening controversial protagonist - Edna Pontellier - lives a personally unsatisfying life with her idealistically perfect husband; a marriage that exists solely on the satisfaction of the Creole society they live in. In the beginning of the novel, she starts to struggle with the dominance of her outer identity that consists of how everyone sees her as the beautiful wife to a perfect, rich husband. But, when she is alone or with Robert, she begins to self-reflect on her inner identity that consists of how she sees herself and the new, rebellious freedoms that she desires. In The Awakening, the frequent symbolization of birds and the manner with how Edna interacts with music and the different men in her life illustrates

Edna’s suicide was victory of self-expression. Edna undergoes a gradual awakening process in which portrays not to only her newly established independence from the constraints of her husband, but also her ability to go against the social norms of society in order to individually express herself. Her suicide encompases the question and critique of living life through the perspective of society such as being responsible for taking care of the kids, cleaning the house, and entertaining any guests that the husband may have over anytime. In the first couple of capters, the novel is quick to emphasize the gerneralized roles kthat are placed onto females, making it apparent that fe,ales are expected to successfully fulfil these roles. For example, Leonce enters home after being out and stated one of the kids had a fever. Edna was certain the child had no fever but Leonce belittles her capability as a mother for indifference with him. “If it was not a mother’s place to look after the children, whose on earth was it?” (27capac).

As her reality unveils itself she cried an “indescribable oppression, which seemed to generate in her consciousness”(Chopin 8). Edna’s dilemma is “she experiences herself as double”(478) she cries to disguise the pain associated with duality which engages her self- awareness of her rejection and awakens her tactic to not be dependent. During the period of the novel, divorce was revolting: abandoning the role of a wife or mother was an outrage. Edna dispenses societal beliefs of allegiance to marriage, family, and the pursuit of personal interest. Through the illustration presented in the novel, Chopin drafts marriage as being trapped by the ideas of society, leads to feeling secluded and without a purpose. Ambitiously, Edna’s is determinded by the need to “define herself as distinct from others, her husband, and most importantly her children” (Killeen 425). Edna was wrestling, sandwiched between the awakening of two pigeonholes restricting women, enforced by the Cult of True Womanhood with the intention to seclude women from conceiving their identity and attaining independence. As her senses were awaken, her drive for freedom is

In Kate Chopin’s novel, The Awakening a wife and a mother of two, Edna Pontellier, discovers her desires as a woman to live life to the fullest extent and to find her true self. Eventually, her discovery leads to friction between friends, family, and the dominant values of society. Through Chopin's use of Author’s craft and literary elements, the readers have a clear comprehension as to what the author is conveying.

After returning from vacation, Edna is a changed woman. When her husband and children are gone, she moves out of the house and purses her own ambitions. She starts painting and feeling happier. “There were days when she was very happy without knowing why. She was happy to be alive and breathing when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day” (Chopin 69). Her sacrifice greatly contributed to her disobedient actions.

She is expected to devote all of her time and energy to her two children and husband. The audience should gather that Edna is very unhappy with her life as a mother and wife. In fact, Chopin uses symbolism to show just this. At the beginning of the story, there is a caged parrot described as similar to Edna. The fact that the parrot is caged shows the readers how much like a prisoner Edna feels. The Awakening is set during a time in which women were only mothers and wives. After hitting a point of self-realization and coming to terms with what she actually wants, Edna begins to drift away from her family. The audience can assume that she actually does love her children and husband to a certain extent, because she doesn’t just completely abandon them.One of Edna’s forms of escape is her art. She spends much of her time creating her own paintings and illustrations, while avoiding some of her other, seemingly less important responsibilities—tending to the needs of her children. Edna finds a specific enjoyment and satisfaction in painting that she cannot seem to find anywhere else. In today’s society, creating art—

In Kate Chopin’s book, The Awakening, the women characters’ represent different types of women during the 19th century. The main character, Edna Pontellier, goes through a phase in figuring out her persona. Adele Ratignolle and Mademoiselle Reisz provide options for Edna’s future. While Adele represents the “sleeping” woman, Mme. Reisz symbolizes the “awake” woman. Edna decides to wake up, but her desire for a man leads her to failure.

She raises her children with a distance between them. This void shows Edna’s lack of open wings, which is considered the norm of the 19th century expectations of women. Her newfound acceptance of neglecting her maternal responsibly ignited a much larger awakening within her. A sense of individuality and the “…realiz[ation of] her position in the universe as a human being, and ... her relations as an individual to the world within and about her” grew stronger (Chopin 15). She dislikes her role being entirely centered on domestic responsibilities so she begins to stretch the bindings of society.

Throughout “The Awakening”, Edna is immersed in a constant clash with society over the significance of the difference between her life and her self. To Edna, the question of whether or not she would die for her children is somewhat simple. Edna attempts to explain this concept to her good friend, Adele Ratignolle, but to no avail, “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself” (Chopin 62). Not only does Edna consider her life unessential, she categorizes it as equal with material objects such as money. The idea of self, on the other hand, lies on a completely different level in Edna’s mind. The most important goal to Edna in her life is the journey to discover her true character. The idea that her inner self is more essential than life or even her children causes Edna to stray farther from the social constraints of the typical domestic woman. Kathleen M. Streater weighs in on Edna’s situation and placement in

Edna realizes that the patriarchal society is quick to condemn particularly a freedom-seeking woman who neglects her children since she is “intended by nature” to take care of them (Dyer 126). She is "uneven and impulsive" in her affections for her children. When they leave to visit their grandmother, she is relieved because she is not suited to the responsibilities of motherhood. Edna’s mind was at rest concerning the present material needs of her children:

In the novel The Awakening, Kate Chopin (2005) uses deep symbolism to show how the main character, Edna Pontellier, discovers her own independence in the society in which she lived. Edna was a traditional mother and wife seeking freedom and independence throughout her adult life. Chopin portrays Edna as being a rebel against her own life. The story takes place in the 1960s when women were to follow certain rules made by the society they lived in. Chopin also foreshadows the things that occur in Edna’s life through nature and death itself. Based on the many ways Chopin uses symbolic meanings through the novel, we can see the events of Edna’s life as one that rebels against society. Throughout this novel, Chopin proves that Edna’s actions

Along with living up to this towering expectation they were presumed to “live their lives largely homebound, taking care of the cooking, cleaning, and child rearing,” (Sallus) which restricted a woman of this time’s value to what she could do and how she could serve others. Edna says her children’s absence was a relief in a sense because “It seemed to free her of a responsibility which she had blindly assumed and for which Fate had not fitted her.” (Chopin 25). This reveals that Edna feels as though she does not fit the role of the mother, nor does she want to. Edna later argues to Madame Ratignolle, the epitome of a motherwoman, that she would give up the unessential for her children, for instance money or even her own life, but she would never sacrifice herself. Madame Ratignolle demonstrates the values of a woman in their society when she replies with: “... but a woman who would give her life for her children could do no more than that--your Bible tells you so. I'm sure I couldn't do more than that.” (Chopin 64). This shows that Edna differs from the women in her society because she places herself above her family and focuses on her own happiness rather than tending to her children and husband’s every last need or want.