Isolation as the Root of Hamlet's Torment
Does Hamlet stand alone? Does this magnate of English literature hold any bond of fellowship with those around him, or does he forge through his quandaries of indecision, inaction and retribution in solitude? Though the young Dane interacts with Shakespeare's entire slate of characters, most of his discourse lies beneath a cloud of sarcasm, double meaning and contempt. As each member of Claudius' royal court offers their thickly veiled and highly motivated speech Hamlet retreats further and further into the muddled depths of his conflict-stricken mind. Death by a father, betrayal by a mother, scorn by a lover and abhorrence by an uncle leave the hero with no place to turn, perhaps creating a
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Prior to this we discover Polonius' rancor for the prince when he warns Ophelia of Hamlet's feigned affections: "Do not believe his vows" (1.3, 127). As with Claudius, there exists little cordiality, less true affection and even less of an attempt to disguise the relationship. The king fears his nephew's grief-enraged condition and the dutiful advisor mirrors these suspicions. Hamlet, meanwhile, casts an equal contempt at the pair in protest of Claudius' unnatural ascension to the roles of both father and husband.
Built up around this central opposition of Claudius and Polonius remain the various accessories to the conflict. Laertes follows his father's lead in defamation of Hamlet and further admonishes against Ophelia's association with the prince: "Fear it" (1.3, 33) and "Be wary then" (1.3, 43). Hamlet's former schoolmates Rosencrantz and Guildenstern likewise ally with Claudius to hugely pervert the notion of allegiance. Blind of their betrayal, a companionless Hamlet joyfully greets the pair as "My excellent good friends" (2.2, 227), only later to discover their disloyal collusion with the king. As willing participants in a scheme against their childhood companion, they bitterly strip Hamlet of yet another outlet for compassion. The queen hints that their friendship will be abused to gain the confidence of Hamlet, "And I am sure, two
Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was
[Done in] England” (4.3.66). Gertrude with no control over his decisions agrees to everything Claudius suggests about Hamlet’s exile. Gertrude trusts Claudius which allows him to control her in the actions and decisions he makes. The lack of lines Gertrude has throughout the play proves her trust for Claudius proving that she has nothing against what he decides. Similarly, Ophelia is controlled by Polonius, her father. Polonius controls Ophelia due to immaturity and her ignorance of her relationship with Hamlet. “Affection? pooh! you speak like a green girl, / Unsifted in such perilous circumstance, / Do you believe his tenders, as you call them?” (1.3.101-103). Not only Polonius but Laertes, her brother, constantly advise her to avoid Hamlet because he is just counterfeiting love and his intention is to hurt Ophelia:
Hamlet: one of the most analyzed tragic heroes in all of literature. Hamlet, the main character in William Shakespeare’s Hamlet, is conflicted throughout the whole play. He obsesses over avenging his father’s death, and this leads to rash, irresponsible actions that cause others to suffer, as well. He plans to kill Claudius, his uncle, for murdering his father and then marrying his mother. In an act of outrage, Hamlet unknowingly kills Polonius, the King’s assistant, instead. This creates even more problems because now someone else’s father is dead. Hamlet is somewhat of an inconsistent character; he’s different almost every time we see him. Hamlet displays characteristics of depression, irony, timidity, and being hurt.
To learn the truth of Hamlet's actions, Claudius entreats upon Rosencrantz and Guildenstern (two of Hamlet's oldest friends) to investigate the situation: "Some little time; so by your companies To draw him on to pleasures, and to gather So much as from occasions you may glean, Whether aught to us unknown afflicts him thus That, opened, lies within our remedy." (II:2, ll 14-18) Claudius, at this early point in the play, is slightly nervous of Hamlet's state of mind. Although Hamlet has not yet done or said anything that distinctly proves that he knows of Claudius' wrongdoing, Claudius is still suspicious. Ironically, he is worried about being deceived by Hamlet, so he sends two of his friends to spy him to learn what is bothering him. Laertes expresses a further example of the fear of deceit in his conversation to Ophelia regarding Hamlet: "His greatness weigh'd, his will is not his own; For he himself is subject to his birth. He may not, as unvalued persons do, Carve for himself, for on his choice depends The safety and health of his whole state," (I:3, ll 17-21) Laertes fears that Hamlet is not sincere in his love for Ophelia. He tells her that since he is of royal blood, he is not free to choose his own wife. The court and other royals must decide who is the best choice to be queen, for the safety of Denmark. Hamlet knows this to be true, and therefore, any sign of love that he gives her must be false.
The first instance of Polonius’ overbearing nature is seen in Act 1, scene 3, where Polonius is giving “advice” to his daughter about Hamlet. Once Laertes heads to the ship, Polonius instantly demands Ophelia to tell him what her brother told her. Polonius hears his daughter talk about Hamlet and immediately states her reputation in the eyes of others. He states, “Have of your audience been most free and bounteous…you do not understand you so clearly as it behooves my daughter and your honor,” (Act 1, scene 3, 93-98). He makes it clear that she is making herself very available for Hamlet and not conducting herself in a fashion that is appealing to her name. It’s obvious that Ophelia fancies Hamlet’s romantic advances on her, but Polonius doesn’t care for her independent thinking. He ridicules her calling her a “green girl” a “baby” for thinking that Hamlet’s offers of affection are real (Act I, scene 3, 101-105). The scene ends with Polonius reminding Ophelia that Hamlet’s intentions are not to love, but empty promises sought to advance in sexual acts. Although Ophelia strongly feels love for Hamlet, she listens to her father’s advice and ends the scene with “I shall obey, my lord,” (Act 1, Scene 3, 136).
It is interesting to note that Hamlet only puts his 'madness'; performance on for the characters he is suspicious of such as Claudius, Polonius, Gertrude, and Ophelia. When Hamlet is around Horatio, Marcellus, Rosencrantz and Guildenstern, the Players and the Grave-Diggers, he acts rationally. He changes his disposition with ease and speed. During Act 2, Scene 2, Hamlet is speaking with Polonius. When Polonius asks if Hamlet recognizes him, Hamlet replies that 'You are a fishmonger.'; He goes on to insult Polonius further and calls daughter Ophelia a 'good kissing carrion';. When Rosencrantz and Guildenstern appear, Hamlet begins to behave cordially again. He warmly greets his friends and engages them in light philosophical humor.
In the first scene of Act II, Polonius and Ophelia discuss the meaning of Hamlet's odd behavior. Though the two characters agree his actions arise out of the torment of spurned love,
Isolation is a barrier to relationships. By rejecting everything around them, these people are cutting themselves off from society. Hamlet, from the play of the same name, drives himself into a corner by cutting off most of the bonds he has formed before the play. The play is the breakdown of Hamlet cutting these bonds and subsequent consequences. By the end of the play, his friend and trusted advisor, Horatio, is the only one left that Hamlet can put any faith in. The extent of Hamlet’s isolation is far-reaching as he breaks his bonds with most everyone, causing him to further isolate himself from society but also reality.
In the play Hamlet by William Shakespeare, the character Hamlet must deal with both external and internal conflict. Hamlet encounters many struggles and has trouble finding a way to deal with them. With so many corrupt people in his life, Hamlet feels as if there is no one that he can trust and begins to isolate himself from others. A result from this isolation leads Hamlet to become melancholy. Hamlet struggles with suicidal thoughts, wants to kill King Claudius, and is distraught over his mother’s hasty marriage with his uncle Claudius.
In Act 2, the King and Queen continue to try and determine why Hamlet is acting the way he is. They request his friends Rosencrantz and Guildenstern to find out what is wrong. Polonius learns from Ophelia that Hamlet could be "mad for thy love?" (2.1.84), but Ophelia is not sure of it. Polonius delivers his opinion to Claudius and Gertrude in which he states that Hamlet:
The letter which Ophelia gave her father contained a poem about love signed by Hamlet. Polonius furthermore explains to the queen that he had advised Ophelia to stay off the young prince as Hamlet is “a prince out of thy star” (II.ii.132); the rejection Hamlet experienced is what had caused his distress and strange behaviors according to Polonius. Gertrude believes Polonius’s theory “may be, very like” (II.ii.143), indicating approval. To furthermore confirm Polonius’s theory of Hamlet’s insanity, the two decide to spy on Hamlet by sending Ophelia to talk to him while they listen to the conversation hiding behind an arras
” ( 2.2.120 ), Claudius replies “ As of a man faithful and honorable” ( 2.2.120). Because of this, Polonius appears to be relatively vain, and his arrogance becomes greatly pronounced. When questioned upon his knowledge he even goes as far as to use his own daughter, Ophelia, to gain information on Hamlet to aid himself and Claudius. These negative manipulative traits are again exemplified as he urges Gertrude to find out about Hamlets motives. He again masks his instructions as advice he states; “ Tell him his pranks have been to broad to bear with and that you grace hath screen’d and stood between heat and him “ (3.4.5).
In similar fashion does Ophelia manifest great familial affection, agreeing to comply with the advice of her brother Laertes: “I shall the effect of this good lesson keep / As watchman to my heart.” When her father, Polonius, makes inquiry regarding the “private time” which Hamlet has been giving to Ophelia, she replies unreservedly, “He hath, my lord, of late made many tenders / Of his affection to me,” and elaborates mightily on the subject. Polonius insists that she “from this time forth” not “give words or talk with the Lord Hamlet,” and Ophelia dutifully complies with his wishes: “I shall obey, my lord.” She later even gives him her love-letters from Hamlet. When she acts as a decoy so that Polonius and Claudius can observe the prince, resulting in Ophelia’s chastisement by the protagonist, she nevertheless keeps him as the main focus in her life: “O, what a noble mind is here o'erthrown!” Her love for brother, father, boyfriend, and others generally, override her love of self. Her respect for the opinions of immediate family is greater than her respect for her own opinions even in the matter of her courtship.
Hamlet: In The Eyes of a Feminist Through examination of Hamlet under the feminist lens, socially constructed gender roles evidently play a huge role in the socioeconomic abilities of all human beings. Society’s idea of gender provides both advantages and disadvantages for people. Through close examination of the social, political, and economic context rooted deep within Hamlet, the differences between how both Ophelia’s and Hamlet’s parents treat them clearly emphasize a plethora of examples of inequality between genders. When feminism comes up in everyday conversation, many people misconstrue its intent with extreme messages such as “exclusive power for women!”
Polonius further displays his self-interest through his attempt to advance his cause by using his conversation with his daughter to gain favor with the king. Polonius meets with King Claudius and Queen Gertrude to inform them that the reason why their son, Prince Hamlet, is crazy is due to his love for his daughter, Ophelia. Here, Polonius is willing to sacrifice his daughter’s happiness to score points with the king. He presents to the king and queen a letter that Prince Hamlet has written to Ophelia. He replies, “I have a daughter- have while she is mine-Who, in her duty and obedience, mark, Hath given me this”(II.ii.106-108). The letter shows that Prince Hamlet is madly in love with Ophelia as he writes to her, “To the celestial and my soul’s idol, the most beautified Ophelia “(II.ii109-111)