Pecola's Cruelty Quotes

Pecola evaluated herself ugly, and wanted to have a pair of blue eyes so that every problem could be solved. Pecola was an African-American and lived in a family with problems. Her father ran away because of crime, her brother left because of their fighting parents, and was discriminated simply because she has dark-skin. Pecola is a passive person. She is almost destroyed because of her violent father, Cholly Breedlove, who raped her own daughter after drinking. Because of this, Pecola kept thinking about her goal- to reach the standard of beauty. However, she was never satisfied with it. Pecola believed once she become beautiful, fighting between her parents would no longer happen, her brother would come back, and her father would no long be a rapist. No problem would exist anymore.

As a child, he was not loved by his mother. She prefered her cat to her own son. Junior saw this at an early age and “spent some happy moments watching it suffer” (86). Junior locked Pecola in a room, becoming the perpetrator with the same turn of attitude as Cholly. When he saw that the cat liked Pecola, he threw the cat, killing it, because the thing his mother loved more than himself loved her. Pecola’s wish could be paralleled to the cat. It had blue eyes, and was loved dearly by someone, which could explain the attention she gave to the cat. Junior even said, “Gimme my cat! (90). Up to this point, he wanted nothing to do with the cat and even tortured it, but with it being the only connection to his mother, he called it his own. Pecola’s dream, or having the same attention as the cat, was killed when the cat was killed. Junior was not loved by his mother, only taken care of to live. She did not “allow her baby, Junior, to cry…[she] did not talk to him, coo to him, or indulge him in kissing bouts” (86). This unlove for her family caused Junior to be victimized, and then alter his ways, and become the perpetrator. Pecola is the victim in the rage of Junior, only because his mother did not love him. She wanted someone to be kind to her, and love her, but that was only met with

In the third chapter of The Bluest Eye, entitled "Autumn", Toni Morrison focuses on Pecola's family, the Breedloves. Morrison goes in depth about the family dynamic of the Breedloves and how it affects Pecola and her self-image. The passage starts after one of many arguments between Cholly and Mrs. Breedlove, Pecola's parents, turns violent. Mrs. Breedlove wants Cholly to fetch some coal from the outside shed. Cholly spent the last night drinking and does not want to get out of bed. The passage begins with the children becoming aware of the argument. Mrs. Breedlove starts to hit him with cooking pans while Cholly mostly used his feet and teeth. After the fight is over Mrs. Breedlove just lets Cholly lie on the ground and she goes about her

After she meets Pecola, her concerns go to Pecola. She explains about each and every incident that occurs to Pecola and the reasons behind leading to those incidents. According to Claudia, the narrator of the story, not just Pecola but it was the Breedlove family members who treated themselves the uglier rather than the society. Only the difference is that they make a different mindset deal with it. The narrator vividly mentions by saying, “Then you realized that it came from conviction, their conviction/And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it” (Morrison 39). This explains more of what they were dealing with. It is impossible to make them believe that they aren’t relentlessly and aggressively ugly (38). Being young, vulnerable and more importantly, female, Pecola is the one who gets abused frequently and endures the damage in greater

If she had beautiful blue eyes, Pecola imagines, people would not want to do ugly things in front of her or to her. The accuracy of this insight is affirmed by her experience of being teased by the boys—when Maureen comes to her rescue, it seems that they no longer want to behave badly under Maureen’s attractive gaze. In a more basic sense, Pecola and her family are mistreated in part because they happen to have black skin. By wishing for blue eyes rather than lighter skin, Pecola indicates that she wishes to see things differently as much as she wishes to be seen differently. She can only receive this wish, in effect, by blinding herself. Pecola is then able to see herself as beautiful, but only at the cost of her ability to see accurately both herself and the world around her. The connection between how one is seen and what one sees has a uniquely tragic outcome for

It had occurred to Pecola … that if those eyes of hers were different, that is to say, beautiful, she herself would be different…. If she looked different, beautiful, maybe Cholly would be different and Mrs. Breedlove too. Maybe they’d say, " Why, look at pretty-eyed Peola". We mustn’t do bad things in front of those pretty eyes (Morrison 46).

By contrasting the homes of Claudia and Pecola throughout the entire novel, Morrison stresses the importance of home in defending against a predatory, racist society. In Claudia’s home, her parents truly care for her and her sister. In one instance, her father took out a gun to fend off a tenant that touched Freida’s breast. This completely contrasts with Pecola’s home, where her parents are both hateful and self-hating, and her father actually raped her. Even though both households are

While the concept of morality has existed for some time, the exact details of determining immorality, and passing judgement over it, has varied greatly over time and between different cultures. In the novel The Scarlet Letter, by Nathaniel Hawthorne, the protagonist, Hester Prynne, is convicted of breaking the moral code of Puritan society in committing adultery. Hester is consequently ostracized by her town for her sins, all the while keeping the identity of her lover, a resident priest named Dimmesdale, a secret. Though guilty of the same crime, Dimmesdale’s health fails as the guilt he feels eats away at his body, while Hester, still personally ashamed of her sins, does not feel they invalidate her worth as a human being. Through Hester and Dimmesdale, Hawthorne reveals his belief that while one should not run from their mistakes, neither should one let the established laws of society invalidate their self-worth.

After his great aunt's death, he is humiliated by two white men while having his first sexual encounter with Darlene. They force him to continue having sex with her while they watch and laugh. He couldn't strike back at the white men because, "such an emotion would have destroyed him" (150), he bottled up his emotions and transferred them to his hatred of women in general. The reader could feel and understand Cholly's description of the emotions running through his head when he describes the incident a day after. He could not save Darlene from the taunting and laughs of the white men, and therefore was resigned to loathing her, hating "the one who had created the situation, the one who bore witness to his failure, his impotence" (151).

This can be seen toward the end of the novel, on page 199, where, in a conversation between Pecola and a figure of her thoughts, Morrison reveals that Pecola may have been raped twice. “You said he tried to do it to you when you were sleeping on the couch. ‘See there! You don’t even know what you’re talking about. It was when I was washing dishes,’” reads the exchange. These lines also tell the reader that even with this information, Pecola is still internally unsure of what happened herself. Through internal dialogue, her personal insecurities are projected. Dialogue is key in presenting major ideas in the novel.

Cholly held on to this trauma for years. He was not able to cope with the humiliation of the interruption of his first sexual enter course. He felt powerless in the situation. Vickroy states that, “Traumatized children themselves, they continue the trauma by denying their own weakness in their abuse of parental power, by installing their own fears of impotence, and by calling upon their children to fulfill their own unmet needs” (Vickroy 2). Cholly reflects how he feels on Pecola and ends up abusing her and then raping her. The trauma he faced made him weak in certain situations where he doesn’t have any self-control. Vickroy explains that, “Pecola’s sadness and helplessness and his own inability to make her happy provoke a repetition of the

The meaning of beauty is abused emotionally because the characters consider whiteness beautiful. It is associated with beauty and cleanliness. Blue eyes mean beauty, “It had occurred to Pecola some time ago that if her eyes...were different, that is to say, beautiful, she herself would be different”(Morrison 46). Pecola dislikes herself because she doesn't have blue eyes. She wants people to view her differently and wants to view the world differently. Another instance of emotional abuse is when Pecola is framed for killing a cat . Junior frames Pecola for killing the cat because he feels that Geraldine his mother pays more attention to the cat rather than him, so he likes the cat to suffer .Geraldine says to Pecola, “Nasty little black bitch ”(Morrison 92). Pecola and Junior want people to love them but does not believe they do because of their actions and words towards them, which causes them to develop depression. Pecola's mother Mrs.Breedlove fails as a parent because she doesn’t believe in her daughter about being raped. “Regained consciousness, she was lying on the kitchen floor under a heavy quilt, trying to connect the pain between her legs with face of her mother looming over her ”(Morrison 163). Mrs. Breedlove fails to believe her daughter because she has gone through same circumstances of trauma as her. Someone one’s appearance, is taken

Another innocendent that occurred in this novel was between Pecola and her father Cholly. Pecola is a young and innocent little girl, when her

Pauline eventually meets Cholly, who is Pecola’s biological father, and they fall in love. "He seemed to relish her company and even to enjoy her country ways and lack of knowledge about city things. He talked with her about her foot and asked, when they walked through the town or in the fields, if she were tired. Instead of ignoring her infirmity, pretending it was not there, he made it seem like something special and endearing. For the first time Pauline felt that her bad foot was an asset. And he did touch her, firmly but gently, just as she had dreamed. But minus the gloom of setting suns and lonely river banks. She was secure and grateful; he was kind and lively. She had not known there was so much laughter in the world." (Morrison, p. 115)

There are many themes that seem to run throughout this story. Each theme and conflict seems to always involve the character of Pecola Breedlove. There is the theme of finding an identity. There is also the theme of Pecola as a victim. Of all the characters in the story we can definitely sympathize with Pecola because of the many harsh circumstances she has had to go through in her lifetime. Perhaps her rape was the most tragic and dramatic experience Pecola had experiences, but nonetheless she continued her life. She eliminates her sense of ugliness, which lingers in the beginning of the story, and when she sees that she has blue eyes now she changes her perspective on life. She believes that these eyes have been given