On Thursday, September 21, 2017 at 7.30 pm, Mr. Noe Garcia blessed the performance hall of Mountain View College with his Classical Guitar Concert which featured 7 pieces of different composers.The program included Dois Destinos, La Fille aux cheveux, 36 Caprices Op.20, Aires De Son, Sonata Op.61, Sonata K.391, Sonata K.178 and Sonata. Noe Garcia appeared as the Guitar Soloist. I was awestruck by the whole concert, as I got mesmerized by the first piece that he performed. The concert commenced with ‘Dois Destinos’ and it first sounded very soft to me at first. I felt like I was sitting next to a lake and the wind was touching me. It was a such a friendly vibe and he perfectly plucked the strings from the guitar. It was a nice and slow melody. Mood of the music was very pleasing and amiable.The pace was steady throughout the piece. Mr. Garcia looked so deep in the music and he was enjoying the piece very much. He was plucking the guitar in such a remarkable fashion. The piece became more soothing as it reached its climax. The second work of the evening was ‘The girl with the Flaxen Hair’ which was a french piece by Claude Debussy and it had an upbeat tone to it. It sounded very romantic to me and felt like it was a piece from a french Noir films. It had a very extensive use of minors but it was mostly played in majors. This tune would certainly make anyone fall in love and it felt like all of the people in the hall was enjoying it. This work by Debussy made me interested to
I chose the genre string quartet and attended a concert at First Presbyterian church on October 19th, 2014. Because of its location the sanctuary where the concert took place had many stained glass windows. It was marvelous and in my opinion well suited the feel of classical music. The audience was very responsive and attentive. They applauded when the musicians appeared, in between pieces, and at the very end. They were quick to join in the sing along portion of the concert. Overall the people attending were an older crowd but you could tell they truly appreciated the music. The concert’s duration was around an
When the concert first began, the three instrumentalists walked with energy despite their age. The first song, “Sonata I in G-Major Op. 2, Nr. 1” by Michel Blavet, was a Baroque Sonata. There were five movements and was played by the harpsichord, flute, and cello. All movements of the song were polyphonic because of the three instruments that had different parts and equal importance. In the first movement, I noticed that the flute tended to rise in pitch. In the second movement, I noticed that the melodies often repeated. Throughout the rest of the song the tempo changed from fast to slow and the flute would usually take the lead. On the last movement, the cello and the harpsichord
The concert started off at a quick and stimulating pace with Brahms’s Sonata for Two Pianos in F Minor. The piece starts with descending arpeggios echoing a sensation of distress or confusion. There are frequent slight pauses, creating a sense of suspense for what is to follow and building on the emotions
My favorite part of the concert was the second part. The group played a song called “Body and Soul.” The guitarist played slowly before the others joined. They created a relaxed atmosphere with an old-school effect. All the notes were legato except the melodies of the drum which was staccato. The combination added character to the piece and made it entertaining. At 19:00, the pianist played briskly but beautifully, then the guitarist did the same. The notes became high pitched and the tempo and dynamics increased. After the guitar stopped, everything went into decrescendo and the melodies from the bass and drums became choppy (staccato). Overall the piece surrounded the theme of dependence and how it affects one’s happiness or strength. The piano and the guitar brought the happy aspect to the piece and without it, everything weakened and became uncoordinated. Initially it celebrated peace,
This song seemed to require the most work from the performers as it used a wide range of dynamics, pitches, and tempo. The last song of the evening, and probably my favorite (not just because it was the last), was “Folk Dances”. This song, just like the first, had a very festive feel to it. The upbeat tempo, lead by the flutes and clarinets, made the song very enjoyable to hear and also had a very happy feel to it, which, in my mind, made it a very appropriate closer. The song started with a great tempo but a relatively soft dynamic. This quickly changed about half way through the song when the dynamics picked up. The loud dynamics with the fast tempo at the end of the song had a very grandiose sound and left the audience with a great taste in their mouths.
The first piece was called Ballad unto. The concert had 3 acts and this piece was the first act. I really love how they started off the concert very classical. Dwight used Bach music which already put me in the mind set of classical ballet. Even though the music had my mind, the movement otherwise was something different. The women were on point but keep to that contemporary taste that Dwight Rhoden likes.
Another piece I appreciated was Flight of the Bumblebee. Composed in 1899-1900 by Nicolai Rimsky-Korsakov. Korsakov wrote this piece for his is opera The Tale of Tsar Saltan.I savored the music because it was rapid and reminded of this movie Bee Movie. Also we sat on the seats where we could see the pianist fingers go quickly and elegantly.
I attended Western Kentucky University 's symphony concert. It was on Friday, October 30th at 7:30pm. It was held in Van Meter Hall. Their event was named “It 's time for a treat.” The symphony was conducted by Dr. Brain St. John. Before it began, I read over the program that was handed out to find out basic information. The history of the pieces helped in understanding them. The concert featured many well-known works by famous composers such as Camille Saint-Saens, Modest Mussorgsky, and Berlioz. The three pieces that are the most memorable in my mind are “Overture to La Cenerentola”, “Là ci darem la mano”, and March to the Scaffold from Symphonie Fantastique.
The concert I will be reviewing was performed by Gregory Sauer (cello) and Eric Jenkins (piano) as part of the UTRGV Patron of the Arts Guest Artist Series, which began at 7:30 PM on Monday, October 3, 2016 in the TSC Arts Center Performance Hall. This well-rounded program included modern works from the 20th Century as well as works of the Late-Romantic and Baroque eras. Sauer 's style and expression varied according to the piece he was performing; however, the principle elements of his virtuosity remained unaltered throughout Monday night 's performance. These foundational practices are what made each articulation and individual piece not only well-understood, but (and more importantly) consistent.
When the concert begins, it opens with the ensemble starting off with the performance “Nine Perfections” played by a big group with no solo acts. The music started as homophonic and then switched to having two melodies equally layered onto each other. The performance was highly arranged with slim to none improvisation and really focused on the timbre of the music with lingering notes and repeated melodies and staggering beats on the xylophones.
For my first concert report of this semester, I attended the Chamber Music Concert put on by the Bronx Arts Ensemble. The performance consisted of three chamber pieces from the classical and early romantic periods; “String Trio in B Flat Major, D. 471” by Franz Schubert, “Quartet in E Flat Major, Op. 2 No. 1” by Bernhard Henrik Crusell, and “Divertimento in E Flat Major, K. 563” by Wolfgang Amadeus Mozart. Each song was played in true historic fashion (although we only heard four of the six movements from Mozart’s composition), and it was very stimulating to be able to see the music we have been listening to in class being played live.
On Sunday, May10 2015, a concert was held in The Broad Stage. The concert was played by Santa Monica College Symphony Orchestra, whose conductor is Dr. James Martin. For this concert, I would identify myself as a referential listener at this concert. I say this because I am not an expert in music, therefore it would be hard for me to be a critical listener. I wouldn’t be able to tell what went wrong with a performance even if some incorrect notes were played. I was more of a referential listener because the music was soothing and brought my mind to peaceful thoughts. This essay will tells my experience of the concert in order to persuade my friend to attend a classical music concert with you in the future.
The conductor started to move the baton in soft movements and all the instruments were synchronized to play the most beautiful melody that transported me to the old French pictures that I have in my head. Set in sonata allegro form, the first performance was soft and
On Saturday, June 22, 2015 Lambeau stadium in Green Bay, Wisconsin welcomed Jason Aldean and Kenny Chesney. Both of them are going to their own different tour; Chesney The Big Revival and Aldean Burnin’ It Down Tour into a co-headlining night. Not having been to many concerts, this was my first country concert and it got pretty wild. Along with the amazing performances, with the powerful effect their songs had on the audiences there was a lot more drama than expected. When the concert had come to a close there were over 25 arrests and kicked out over 100 other people. This concert definitely left its mark, but might have not been for the best reason. Other than the drama over the packed in audiences this concert was truly memorable.
This afternoon, I went to the music concert hall where is located in the music building for the listening hour, a small noon-time concert which is performed by the staff and students from the music majors. Since it is a free noon-time concert, most of the audiences just wear the t-shirts and jeans to the concert. Dresses are not required for the concert. The performance today is given by the Ananda Jazz Ensemble. They have played “Running Away”, composed by Bob Marley; “Madalena”, composed by Ivan Linz; “Conejitos y Ananda”, composed by Abi Romero; “La Bikina”, composed by Ruben Fuentes; and “Chukaro”, also composed by Abi Romero. Because this is a Latin Americdan Journey, all of the music performed is jazz music. All pieces played in the concert are an ensemble of piano, bass, and drums. During the concert, I was trying to be a perceptive listener; I enjoyed the music with concentration and paid attention to the music’s unity and variety, such as the dynamics and tempos. I also tried to associate the music with a picture when I listened to it and understand the emotion in the music.