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Self Help Poem Analysis

Decent Essays

Poetry can be divided up into different forms, more easily expressing an author’s emotions and intent with their poetry. For analyzing purposes I chose the poems Self-Help by Michael Ryan, Ghazal by Agha Shahid Ali, Psalm 150 by Jericho Brown, and Emergency by Michael Dylan Welch. Michael Ryan’s villanelle, Self-Help, follows the typical villanelle style with 19 lines, including five terrets and a quatrain. The main storyline follows the speaker who is reprimanding a woman for blindly falling for a man, only seeing the good in him and being naive with her marriage. With the first and third lines stating, “What kind of delusion are you under?” (1) and “You see the lightning but not the thunder” (3) repeating, it emphases an obsessive thought, as if a haunting motif is spread throughout, where the author doesn’t understand the protagonist’s thoughts or actions. Through the use of assonance and consonance, such as “hath” (4) and rat (5), “crown them” (11) and “baseball bat” (11), the author uses repetition to set the mood of the poem in a negative light— setting a certain tone. Even the title Self-Help is the author’s way of communication they’re done trying to help the protagonist and it’s time for that person to reflect themselves and take care of their situation. In Ghazal by Agha Shahid Ali the form is a ghazal, which is made up of a sequence of 2-line stanzas with an ending rhyme; each couplet is a poem in itself, emotionally completing themselves and making no relation to other couplets. Something particular I noticed about this ghazal is the author incorporates himself as well as others in a 3rd person view, “I’ll do what I must if I’m bold in real time” (1) versus “They left him alive so that he could be lonely” (9) by doing this Shahid Ali gives the perspective of his pain as well as another man’s loneliness. This allows for the individual couplets to have an intermediate connection with one another as humans in solitude. By repeating the line “in real time” at the end of each couplet the author puts a emphasis on the present— as well as wrapping up each couplet’s story, but tying it all together in the big picture. Similar to Michael Ryan’s villanelle, Shahid Ali uses assonance all throughout the

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