Northanger Abbey is a classic written by Jane Austen. The novel is celebrated as a literary masterpiece that deals with the English social class system, along with the social rules and it shows the results of choices made by the characters. The story follows Catherine Morland, a girl who is heavily influenced by books, but is also very naïve to the outside world. Catherine lives in the modest town of Fullerton, and her life there has been mostly very protected and sheltered from lifestyles and habits of people outside of Fullerton. The Morlands are friends with another family named the Allen’s. They are wealthy members of society, and they extend an invitation to take Catherine with them to Bath, which is a wealthy area for families that meet that clientele. Because her life in Fullerton has been so sheltered and moderate, her experience in Bath is a whole new world and it excites and scares her alike. While in Bath, Catherine is introduced to a young man by the name of Henry Tilney, a …show more content…
The varying hierarchies between Catherine and Isabella and between Catherine and Henry are interesting for one to read through. The effects the social classes had on Isabella were arguably greater than any other major character in the story. She was attracted to the drama, gossip, and vigor of that lifestyle. Isabella thrived on knowing the “important” information about people in the society, and she was well-learned on other people’s personal lives. The idea of having a rich and popular and important husband caught her attention more than marrying for love did. She was engaged to James for love, but once a better offer came along in the form of Captain Frederick Tilney, she had a change of heart. Suddenly, she was content with leaving behind her fiancé of humble beginnings and earning for someone for susceptible to adventure, danger, and or course,
Jane Austen opens his novel Northanger Abbey (1818) by describing the character of Catherine Morland. Austen takes use in literary devices such as descriptive and honest word choice, also the use of a calming tone when expressing the traits of Catherine Morland, how she is in fact a free spirited girl, lives a simple life, yet empowers to shine as a heroine.
The only way young women could find economic security in early 19th century England was through marriage. Personal wealth was important for a man looking for a wife as well. It was clear in the novel that Catherine’s inherent wealth was an important factor in deciding if John Thorpe, one of Catherine’s love interests, wanted to marry her. Austen describes Catherine’s family as average, or middle class, as she describes Catherine’s father as, “a clergyman, without being neglected, or poor, and a very respectable man” (15). Although Catherine is described in this way, John assumes her wealth because of her connections with the Allen family.
The involvement of a family member with the previously misjudged character directly causes each heroine’s fallout of sorts with her future husband, who will henceforth be referred to as the hero. Catherine’s brother James becomes involved with Isabella before she is known to be such a determined flirt, but when she all but abandons him for Captain Tilney, it becomes known to General Tilney that Catherine’s family is not as rich as formerly supposed, and this results in
Richardson explains how this confusion was relevant of the historical and cultural context of Austen’s era. Both the Gothic and the sentimental genres were regularly criticised for influencing readers to project fictional elements into real life. As Richardson explains, the Gothic was singled out for condemnation through its ‘thematics of female constraint and persecution and its fictive indulgence in forbidden lusts and passions, and the sentimental novel, with its ideal or ‘romantic’ picture of life and its over-valuation of erotic love as the key to female happiness (Richardson 2005:399). This projection is reflected in Northanger Abbey when Catherine is invited to Northanger Abbey: ‘Northanger Abbey! These were thrilling words, and wound up Catherine’s feelings to the highest point of ecstasy’ ( Austen pp.99-100). The use of ‘ecstasy’ reflects Catherine’s excessive personality and self-transcendence. Catherine’s gothic idealist vision of the abbey and her pursuit of pleasure, signifies her lack of self-directedness in which she dismisses her own control of life and puts herself in the position of the gothic heroine as portrayed in her reading of Radcliffe’s ‘The Mysteries of Udolpho’. The prominent role of ‘The Mysteries of Udolpho’ in Northanger Abbey is highly symbolic in representing Austen’s concerns of the excesses of sensibility and the gothic and how they can distort the reader’s interpretation of life. Barker-Benfield (p.111) highlights how ‘Radcliffe’s Mysteries typically hinted at its apparent dangers but continued to convey its tenets. And no one could prevent readers from identifying with figures the author intended as warnings against sensibility’s ‘excesses’.
From my point of view, Jane Austen should be seen as a ‘feminist’ writer. As she wrote in one of her novel Persuasion, she considers that ‘Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove anything’ (Anne Elliot, in Jane Austen’s Persuasion). Such feminist ideas are expressed in many of her literary works. In her another novel Northanger Abbey, there are various issues discussed, which include not only marriage, social criticism and Gothic, but also feminism as well. The essay is to discuss Jane Austen and her feminist thoughts by analyzing Northanger Abbey.
During the time period of the 1800s in England, not only was the economic situation different but the social norms were differently. Jane Austen depicts this greatly in her novel pride and prejudice, not only was the social classes a big deal, but the marriage between families was a bigger deal. Throughout the novel many of the characters encounter this problem of, love in marriage or money in marriage, and many of the families and females within this time period choice money in marriage. The author Jane Austen feels that the idea of marring for money rather than love is preposterous and expresses this through the character Elizabeth
Jane Austen's intelligence and sophisticated diction made her a revolutionary author, and her mastery surpasses most modern authors. By challenging conventional stereotypes in her novels, she gives the open-minded reader a new perspective through the message she conveys. Her first novel, Northanger Abbey, focuses on reading. However, she parallels typical novel reading with the reading of people. Catherine Morland's coming of age hinges on her ability to become a better reader of both novels and people.
Jane Austen's Northanger Abbey establishes the inner feeling of a woman based on her own personal experience which provides a vivid glance into her perspective. Correspondingly, it reinstates Gothic novels as an reflection marginalized by the experiences of women living in the upper class. For contemporary modern day, Northanger Abbey functions as a warning, depicting the danger of amorous and sexual exploitation from the opportunistic characters within a social environment. These dangers are a realistic theme even in today's society marking potential threat for women. Mostly importantly, it serves as a device that's depicts the social separation between the companionship of woman and the inhuman acknowledgement of women as objects, which fosters the necessarily development for both men and
In Jane Austen’s, Northanger Abbey, John Thorpe and General Tilney are portrayed as unpleasant villains. Villains are defined as, “a wicked or evil person; a scoundrel” (The American Heritage Dictionary http://www.dictionary.com/search?q=VILLAIN). Austen description of both men as power-hungry, easily upset, and manipulative follows this definition. She introduces both characters in separate parts of the book, however simultaneously she delivers a stunning example of their identical villainous personalities. Through the portrayal of John Thorpe and General Tilney as villains, Austen comments on the male supremacy that permeates through her time.
Soon after her own arrival in Bath, Catherine is followed by her brother James and Isabella’s brother John Thorpe. At the initial meeting with the boys, Catherine is mistaken on two different points, still being ignorant in her perceptions of other people. Although slightly thrown off by John’s manners, Catherine is unable to formulate her own negative opinion of him, too affected by the opinions of Isabella and James, and “her judgment was further brought off by Isabella’s assuring her…that John thought her the most charming girl in the world” (Austen 48). For Catherine, it is easier and more natural to accept the opinions of someone like Isabella, a mentor figure. Also, in the same scene, Catherine makes the assumption that her brother James has journeyed “so far on purpose to see me” (49). Catherine hastily jumps to this false conclusion, not having the experience to detect James’ continuous questions and compliments of Isabella as a sign of his true motives for coming to town: to visit the “prettiest girl in Bath” (49).
Jane Austen is well known as a novelist for her satirical representation of female characters in late Georgian society. During this period, novel writing and reading was still a controversial topic, and as such was incorporated in her book Northanger Abbey (1817), which has at its core a young female protagonist obsessed with novels. We can clearly interpret Northanger Abbey as Austen’s satirical response to the social conventions decrying novel reading, as she uses an intrusive narrator and more subtle supplementary techniques to comment on and satirize the debate surrounding novels.
Alongside Isabella, Catherine begins to learn the ways of the world, though never losing her simplicity or honesty. She discovers that countless people are defined by their wealth and status. Many of the characters that Catherine interacts with are preoccupied with material possessions, such as General Tilney, father of Henry and Eleanor. The General wants nothing more than for his children to marry into wealthy families and continually asks Catherine to compare his own home and gardens to those of Mr. Allen, “With a triumphant smile of self-satisfaction, the General wished he could do the same, for her never entered his (gardens), without being vexed in some way or other, by its falling short of his plan” (167). Austen points out how General Tilney must compare himself to someone inferior to him in order to boast to Catherine about his own majestic gardens. During her stay in Bath, Catherine discovers the intricacies and ennui’s of high society and marriage. She learns that it is not proper for a woman to be seen riding in an open carriage with a man who she is not engaged to and that often, women marry for money, rarely for love. Money often determines social and economic class. Class in 1798 England is central to the overriding marriage concerns which govern society. In order for Catherine to maintain her reputation and in time, attract a man to be her husband, she must learn to read the character
Austen, Jane, Claudia L. Johnson, Susan J. Wolfson. Pride and Prejudice, A Longman Cultural Edition. New York: Longman, 2003.
Jane Austen’s Northanger Abbey is a novel that features vibrant character development but the biggest development is that which occurs in Catherine Morland. Catherine’s character nearly develops in all components of her being and she is able to evolve from the unorthodox “heroine” that she is initially described as. In the novel, Catherine starts out as an incredibly naïve and inexperienced girl who confuses all facets of the real world as the plot in a Gothic novel. Catherine develops as a character through her social interactions with those around her as it helps her gain experience with how to correctly perceive the world. With her newly gained experience of her surroundings, Catherine develops and is able to see the real world through a social lens rather than her own subjective lens or that of a Gothic lens.
Jane Austen impacted the world of literature in more ways than one. Museums located around the United Kingdom are dedicated to her works which many people still enjoy to this day. Audiences around the world continue to read the love stories she shared many years ago. She portrayed a sense of female strength and hefty feelings of true love in her writing. Austen’s wording and her particular writing style are recognizable among those who enjoy 18th century literature, her distinct approach to the realities of the time is one reason her fan base has grown over the years. Jane Austen pioneered romantic literature because she was among the first authors to write a happily ever after type story, and she used her work to portray this feeling