(H) The life of women has drastically changed throughout the ages. (CIS) The Joy Luck Club by Amy Tan portrays life in America and in China in the 1930’s for women. (GS1) When stories are true, there is more power behind them. (GS2) Novels need accuracy for the book to have feeling. (GS3) A rave-worthy novel needs truth to really draw the reader in. (thesis) Author Amy Tan accurately portrays life for Chinese women in the 1930’s and it enhances the power of the novel because the stories have true roots, the accuracy gives the book more feeling, and the truth behind the stories transports the reader into the novel. (ts) The stories presented in The Joy Luck Club have true roots. (M1) Some of the tales in the novel are based on real people. (m1) “Tan knew some details of her grandmother 's dramatic life: that she had been raped by her merchant husband and committed suicide by swallowing raw opium buried in rice cakes when her daughter, Daisy, Tan 's mother, was just nine years old. But no one had ever mentioned her being a courtesan” (Amy Tan Sydney Morning Herald). (m2) Tan uses her grandmother’s story to create An-Mei’s mother, who is a fourth wife in a courtesan household. (m3) Tan develops An-mei by using her grandmother’s story, showing that being a courtesan is present in china and suicide is used as an escape. This gives the book more power because it shows that An-mei’s death is serious. If the stories in the book are not based on real people, then they are based on
The Joy Luck Club is Amy Tan's first novel. It consists of four sections with sixteen short stories. One of the main issues of the novel is the relationship between Chinese mothers and their Chinese – American daughters. ‘‘Your mother is in your bones.’’ (Tan 1998, 30) There is a cultural chasm between them because of the difference in the way they were brought up and different influences of the environment.
The Joy Luck Club portrays strong women. The examples that come across most strikingly to the reader are the women who lived in traditional China. An-Mei Hsu gained her strong will from her mother's weak spirit. In her story, titled "Magpies," An-Mei's mother is forced
Amy Tan had many personal experiences in her story. For example, when Amy Tan was living in Northern California, her mother had very high expectations on her. Her mother wanted her to be with the American society and be the best she could be. Amy Tan had to get a haircut very short to the way other famous children were acting in the United States. Amy’s mother was the one who encouraged this. With that, in the story “Two Kinds,” the young girl named Jing-mei live in a part of California and she had to get a very short haircut. Jing-mei’s mother wanted her daughter to look and act the same way Shirley Temple did. Within both of the girls lives, they each had to act like an already famous person exactly to please their mothers.
There is a common theme of hope throughout the stories of The Joy Luck Club by Amy Tan. Even in the face of immeasurable danger and strife, the mothers and daughters in the book find themselves faithful in the future by looking to the past, which is only helped by the format of Tan’s writing. This is shown specifically in the stories of Suyuan and Jing-Mei Woo, Lena and Ying-Ying St. Clair, and Lindo and Waverly Jong. The vignette structure of The Joy Luck Club allows the stories to build on one another in a way that effortlessly displays both the happy and dark times in each mother’s life, which lets their experiences act as sources of background and guidance to their daughters in times when they need it most.
Traditions, heritage and culture are three of the most important aspects of Chinese culture. Passed down from mother to daughter, these traditions are expected to carry on for years to come. In Amy Tan’s The Joy Luck Club, daughters Waverly, Lena, Rose and June thoughts about their culture are congested by Americanization while on their quests towards self-actualization. Each daughter struggles to find balance between Chinese heritage and American values through marriage and professional careers.
In the novel The Joy Luck Club written by Amy Tan, there are several stories that intertwine into one novel. Each of the stories takes place China where the roles and the actions of woman are vastly different compared to American tradition. In the different stories, they all are about different mothers and daughters. Throughout the book, the reader can see the development in each relationship between mother and daughter with their conflicting backgrounds from China to America.
Culture defines humanity. Culture makes humans different than any other living organism ever known. Culture is what makes humans unique, and yet culture is easily the most misunderstood characteristic of individuals. In Amy Tan’s The Joy Luck Club, Amy Tan develops the theme of incomplete cultural understanding leads to an inability to communicate one’s true intentions through juxtaposition and conflict between mothers and daughters and their cultures.
Waverly was going to tell Lindo of her and Rich’s engagement, but whenever she mentioned him, Lindo cut her off and began to talk about something else. Waverly was convinced that her mother did not have any good intentions, and that she never saw good in people. Due to this, she was afraid of what her mother will say when she would meet Rich. According to Waverly, she and Rich shared a “pure love”, which she was afraid her mother would poison. Waverly planned to go to Auntie Suyuan’s house with Rich for dinner, knowing that her mother would then invite the two over for dinner to her house, and this would give her mother a chance to get to know and warm up to Rich. However, when they went for dinner, Rich did everything incorrectly- he didn’t understand Chinese customs and made several mistakes that were seen as
Characterization is a widely-used literary tool in Amy Tan’s The Joy Luck Club. Specifically, each mother and daughter is a round character that undergoes change throughout the novel. Characterization is important in the novel because it directly supports the central theme of the mother-daughter relationship, which was relevant in Tan’s life. Tan grew up with an immigrant mother, and Tan expresses the difficulties in communication and culture in the stories in her book. All mothers in the book are immigrants to America, and all daughters grew up living the American lifestyle, creating conflict between the mothers and daughters due to miscommunication. Characterization of the mothers and daughters in Amy Tan’s The Joy Club creates and
The novel, The Joy Luck Club describes the life of four mothers: Suyuan Woo, An-mei Hsu, Lindo Jong, and Ying-ying St. Clair and their four daughters: Jing-mei "June" Woo, Rose Hsu Jordan, Waverly Jong, and Lena St. Clair. All four of these families fled China in the 1940s and tried to retain and maintain their culture and heritage. All of the four daughters are very Americanized and the mothers try to show and teach each of their daughters a little about the chinese culture. All these mothers hope to give their daughter strength, respect for herself, and to create a strong bond and relationship between themselves. Tan gives us something to relate to by telling us the story of Chinese women and their daughters. The all may
The Joy Luck Club by Amy Tan follows multiple Chinese-American women who struggle with their self-identity and creating a balance between American and Chinese culture. Because of their immigration and many hardships in life, many of the women feel like they cannot truly tell who they are anymore, and throughout the novel these women are portrayed as ghosts. Ghosts are used to symbolize these women because they share many parallels including being only a remnant of who they once were, or who they could be. Ying-ying St. Clair is one of the women, who has a daughter named Lena St. Clair, she has had a troubled past in China, which has made her lose her fighting spirit, and her spirit in general. Ying-ying is fully aware of her loss of spirit and is embarrassed because she considers ghosts to be shameful and weak, and wants to save her daughter, Lena, from her fate.
In her 1989 novel, The Joy Luck Club, Amy Tan hones into the narratives of four Chinese American immigrant families living in San Francisco. The novel is structured into four distinct, anecdotal sections: two dedicated to mothers and two dedicated to daughters. Tan’s approach to structure allows the interlocking stories between mother and daughter to place emphasis on the issue of sexism. The purpose of Tan’s novel is to highlight that, even though American and Chinese societies drastically differ, there still remains a recurring theme of chauvinism. Erica Jong says, “Sexism kind of predisposes us to see men's work as more important than women's, and it is a problem, I guess, as writers, we have to change.” Through her purpose, Tan is
“In 2009, 33 million people in the United States were second generation immigrants, representing 11% of the national population. The children of such immigrants in the U.S., also known as "second generation immigrants," experience a cultural conflict between that of their parents and that of mainstream U.S. society” (Wikipedia 1). Amy Tan the author of “Two Kinds”, and the young character in the story both are a second generation immigrants, who have struggled in their life with parents, about the culture they assimilating and their real culture.
Amy Tan is an American Born Chinese, daughter of immigrants, and her family shares many features with the families depicted in her novels. Tan's novels offer some glimpses of life in China while developing the themes of mother-daughter relations, cultural adaptation and "women with a past". Tan’s novels share many themes and elements, but this paper will focus mainly on two episodes of the novel The Joy Luck Club: "The Joy Luck Club" and "Waiting Between the Trees"; and will make references to The Kitchen's God Wife and The Hundred Secret Senses.
In one of Amy Tan's best-selling novels, The Joy Luck Club, is a story that was written in 1989 explaining the lives of eight Chinese immigrant mothers and their American-born daughters. The story is divided into four chapters, each one having a different scenario. Constantly rejecting criticism from their mothers about everything they choose, the daughters only see their mother's warnings as irrelevant and intrusive. Little do they know that it was the hardships their mothers suffered in China before coming to America. From the motherly perspective, their daughters are only thrashing in their modern American circumstances. Not only does this story explain about the complicated relationships between the characters, but it portrays how the mothers and daughters respond and react based on their own ideals based on their own interpretations of society and expectations.