The Key Game By Ida Fink

In the book, The Westing Game by Ellen Raskin, the conclusion is what summarized the plot of the book. Knowing this, one might agree the way the ending was written was very effective. The owner of the Westing Paper Products Company, Sam Westing, was murdered. Sixteen people are called to Sunset Towers to participate in the reading of the will. Little did they know that the will was only going to unleash the monster in them all. The will of Sam Westing went on to say that one of the sixteen people in the room was a murderer, the same murderer that ended his life. Everyone would be paired into teams. Clues were spread out among the pairs-of-two and the game began. 200 million dollars was offered to the person who uncovered the secrets to

From the words of C.S. Lewis, “Hardships often prepare ordinary people for an extraordinary destiny”. Facing hardships and breaking free from their normal world allows the hero inside of people to come out. Many stories document this journey of a hero through the Hero’s Journey Archetype. In the short story “The Most Dangerous Game” by Richard Connell, a man named Rainsford stumbles upon an island where humans are hunted by a crazed man. The hero’s journey archetype is implemented throughout Rainsford’s experiences in the story. Richard Connell used the Hero’s Journey Archetype to structure the plot and develop the theme that with clever thinking and lots of hope, one can succeed at anything.

Underestimation and cruel actions lead to many things. In “The Most Dangerous Game,” author Richard Connell reveals a conflict between the main characters, General Zaroff and Rainsford. Rainsford was to play the most dangerous game created by Zaroff, because the only way to survive, is to win it, otherwise death is the only other option. As demonstrated through the use of personification, symbolism, and repetition in the story, it conveys that one should understand to never underestimate another person and remember that there will always be a consequence for the wicked things that one has done.

C.S. Lewis one said “Hardships often prepare ordinary people for an extraordinary destiny”. Facing hardships and breaking free from their normal world allows the hero inside of people to come out. Many stories document this journey of a hero through the Hero’s Journey Archetype. In the short story “The Most Dangerous Game” by Richard Connell, a man named Rainsford stumbles upon an island where humans are hunted by a crazed man. The hero’s journey archetype is implemented throughout Rainsford’s experiences in the story. Richard Connell used the Hero’s Journey Archetype to structure the plot and develop the theme that with clever thinking and the use of past experiences, one can succeed at anything.

In addition to this, belonging to a family is a key concept in this novel. The novel opens with an alluring introduction to the family; a blissful atmosphere is created through the picturesque icons of their family life. The composer uses small photograph like icons to allude towards the widely acknowledged contentment that is readily associated with the memories in a picture album. Tan introduces the motif of the paper crane which he carries through the length of his novel as a symbol of affection and belonging between the family members. The next pages signify the break in contentment as the man begins his journey and a salient image of the couple with their hands grasping the other’s parallels the anxiety and despair in their downcast facial expressions. Although the gloomy atmosphere, the light sepia tones in the picture allow an insight into the tender and loving relationship that the family members share. Upon the man’s departure the paper crane motif returns and he hands it to his daughter as a token of his undying love for her. His migratory experience is studded by the comfort and ease that he obtains from a picture of his family. In paralleled scenes on the boat and the new apartment, the

The text is very descriptive and loaded with symbols. The author takes the opportunity to relate elements of setting with symbols with meanings beyond the first reading’s impressions. The house that the characters rent for the summer as well as the surrounding scenery are introduced right from the beginning. It is an isolated house, situated "quite three miles from the village"(947); this location suggests an isolated environment. Because of its "colonial mansion"(946) look, and its age and state of degradation, of the house, a supernatural hypothesis is implied: the place is haunted by ghosts. This description also suggests stability, strength, power and control. It symbolizes the patriarchal oriented society of the author’s time. The image of a haunted house is curiously superimposed with light color elements of setting: a "delicious garden"(947), "velvet meadows"(950), "old-fashioned flowers, and bushes and gnarly trees"(948) suggest bright green. The room has "air and sunshine galore"(947), the garden is "large and shady"(947) and has "deep-shaded arbors"(948). The unclean yellow of the wallpaper is

In the essay “The Believing Game” by Peter Elbow, he discusses the concepts of taking the emotion out of arguments and using logic by seeing another person’s opinion or ideology through their eyes. Elbow uses “The Doubting Game” as his counter-argument in the essay and speaks of how most humans are naturally conditioned to over-analyze any argument that is presented before them. Elbow, while making some insightful points to the way humans think, presents his essay with too much emotion and bias. Morality is not considered in his essay and Elbow is not presenting the realistic way most people think or argue.

The idioms of everyday American speech in a middle-class domestic situation are used in showing the events and relationships of the Berlin family. In contrast to the conversations of Becca and Stan, usually presented as straight dialogue, the discussions among the three sisters are conventionally presented, often with “she said” and other interpolations to give explicitly the emotional level of the sister’s disagreements. Madga, the Polish student who acts as Becca’s guide to the death camp site speaks fluent English but at times awkward English “Oh, they are much in appreciation” she says when given a pair of jeans. Contrast between the formal, traditional language of the fairy tale and childish, informal chatter is shown when the children comment or question as Gemma proceeds with her Briar Rose fairy tale story telling. Her contrast revisiting of just this one fairy tale shows the reader that while her conscious memory has buries the details of her past horrors, she cannot help returning to the fairy tale allegory. Contrast is also shown between the warm, happy imagery of life in the Berlin house and the bleak, harsh details of the holocaust.

“That sounds fine with us,” everyone said in unison. For the next few months the two families would stay here, hiding from the Nazis, and hoping that they would not get caught. As the war waged on, the conditions of the attic became worse. Mrs. Johnson became very ill, and due to this, they needed supplies in order to keep her stable, which was difficult

After being crushed with deep sorrow over the death of his beloved Ligeia, the narrator moves into a decaying abbey to leave behind his lonesome house. Although he leaves the exterior of the house untouched, the narrator decorates the interior with strange but lavish furniture. “The furnishings take on the shapes and colors of his fantastic dreams” as he attempts to cope with his loss (Kincheloe). This supports the idea that the narrator would rather live in his own colorful fantasy (like the inside of his house), than engage in the dark reality (as represented by the outside of the house). Losing Ligeia meant the narrator lost his fulfillment in life; which is why his reality is now gloomy and undesirable. Not only does is the furniture an example of dream imagery, the walls of the desolate house also have a dream effect. The moving images on the walls cause the house itself to seem restless and alive. The narrator imagines this because it represents himself; always on the edge of monstrosity with each changing mood. As he hallucinates on opium, his sense of reality and fantasy is put together as one. With each furnishing, a looming memory of Ligeia haunts him as he reminances her during his opium dreams.

Authors use their point of view of a story to develop the central tone of a story, or to better institute what their purpose may be. Some authors may have the same purpose of different stories, or may have significant differences. Anna Quindlin (author of “Homeless”) and Lauralee Summer (author of “Learning Joy from Dogs without Collars”) both discuss having homes as a top priority when it comes to a childhood, and a feeling of normalcy and security; “Learning Joy from Dogs without Collars” was written to foretell how a home can affect one’s childhood, while “Homeless” was written to tell how “home is where the heart is” (834).

Journalist Oriana Fallaci is quoted saying, “The moment you give up your principles, and your values, you are dead, your culture is dead, your civilization is dead. Period.” It is the morals that humans are born and raised with that create the civilized beings they are. However, what is taught can be lost in the dysfunctional world we live in today. The short story “The Most Dangerous Game,” by Richard Connell, and the classic novel Lord of the Flies written by William Golding, both display the uncivilized nature of mankind and the rash decisions that may happen as a result. Connell’s story begins in the ocean off the coast of Brazil, with a pair of hunters having a conversation, this conversation is short lived, as Sanger Rainsford, the main protagonist falls off the boat and swims to a mysterious Island for safety. Similarly, in Goldings’ Lord of the Flies, school boys between the ages of six and twelve crash onto an island in the Pacific, left to fend for themselves. This occurs when their plane crashes after being shot down. Despite the texts being set in different time periods, the authors express a common and universal theme: the regression of humankind may eventually lead to rash decisions and violence. The epiphany of this shared theme will be compared and contrasted through the troubled antagonists, the descriptive settings, and the distinct symbols used in each text.

Richard Edward Connell was an American author, who was probably most famous for the short story “The Most Dangerous Game.” Connell started writing at the age of 10 covering baseball games for his father 's paper. By the age of sixteen he had become the editor of the Poughkeepsie News-Press. Connell was a very smart man who studied at Georgetown and Harvard.While at Harvard he was the editorial chairman. Connell 's writing style was usually action-adventure. Some of his works were probably inspired from his time working as a homicide journalist, and serving in World War I. By the time Connell passed away he had published over 300 short stories. Richard Connell was a very unique author from experiences he had through out his life, and so was the writing style that he portrayed.

Richard Connell 's short work of fiction “The Most Dangerous Game” blurs the line between humans and animals and explores some of the causes of fear, especially the primal fear of being hunted. Appropriately, it is a suspense-driven work and relies heavily on the use of certain techniques to make sure the reader feels, or at least understands, the terror that the protagonist Sanger Rainsford feels. In the narrative, two techniques are combined to create suspense: careful use of foreshadowing creates unease, while prolongation when describing critical moments and events causes tension for the reader.

The atmosphere of this exposition is clearly foreboding: "the dark clouds, broken chimneys, unused street, solitary cat, and dead air" all prove ominous and reflect the sordid ruling mood. Failed culture and solitary of aimless women ("a cat moved itself in and out of railing") not knowing exactly what to do about their predicaments in which