The Yellow Wallpaper, By Charlotte Perkins Gilman

The female narrator of “The Yellow Wallpaper,” almost immediately tells the readers that she is “sick.” Being a physician of high standing, her husband diagnosed her condition as a temporary nervous depression with a slight hysterical tendency. He was not able to consider a more severe underlying mental disease that can result to more problems and complications when left unchecked. In her journal, she stated that she does not agree with the diagnosis and has her suspicions that the medical treatment needed for this type of diagnosis will not treat her. Having the correct medical diagnosis is crucial because once formulated, it will dictate the therapeutic actions that will be taken to treat the medical condition. The Yellow Wallpaper’s narrator had post partum depression.

All through time ladies have always combat for balance with men. In numerous writing works, woman 's rights has been a noteworthy topic. The Yellow Wallpaper, composed by Charlotte Perkins Gilman in 1892, has a strikingly solid women 's activist topic all through the story. Made in the time which esteemed male strength and predominance, this work concentrates on ladies picking up autonomy while losing a part of her self. The issue of women 's liberation is common inside the illness of the principle character, the characters, and even the setting of the story. Ladies of that time were controlled by "bosses" like their spouses or fathers and compelled to lose their personality under curbing social framework - patriarchy. " 'Feminist

Charlotte Perkins Gilman, the author of the realism story The Yellow Wallpaper, struggled with depression, which makes a great connection between her and the narrator. Realism, which is an accurate and detailed portrayal of actual life, is what Gilman used to describe how women were treated in the 1890’s and how depression can affect one’s body. The author uses the unnamed narrator in this story to explain the reality and horrors of depression in the 18th century. The purpose was to inform her readers of how mistreated women were in this time, especially because of the apprehension she, and others, had to go through. The narrator’s husband may be a leading cause in the reason she got depression, and also a reason she did not get better.

In brief, the narrator’s depression ultimately drives her to insanity, as she tries to cope in a secluded environment. Furthermore, “The Yellow Wallpaper” is primarily based off of the author’s own encounters with depression and the resting treatment. Gilman condemns the rest cure and the harmful treatment of the women by physicians, most of which were men. She describes how the narrator gradually becomes insane, “I always lock the door when I creep by daylight. I can’t do it at night, for I know John would suspect something at once” (Gilman 245). The narrator’s creeping is a sign of her lack of mental stability. In fact, Gilman is not the only female author to write about the rest cure and its impact. Other authors include Virginia Woolf and Jane Addams (Stiles par. 13). This rest cure has become a debatable solution for people who are constantly struggling with depression.

Stuffed animals may help to console a fussy child into a soothing sleep, while an inspiring story told by a veteran grandparent may encourage a timid student enough to successfully complete a classroom speech. Personal possessions, whether tangible or not, can have the profound effect on the owner of helping him or her to cope with uncontrollable life events. The short story, The Yellow Wallpaper, by Charlotte Perkins Gilman depicts the tumultuous life of narrating character, referred to as Jane, whose attempts to hold onto things around her to prevent her declining mental state. The story is set in the late 1800’s, subjecting Jane and her husband, John, to the misconception of roles as women to be subordinate and men to dominate adds to the burden of ignorance over women’s health and welfare. Furthermore, Jane clings to her sparse possessions as desperate attempts to gain control over herself, while John holds onto items which support his pursuits of exerting control over others.

Charlotte Perkins Gilman’s “The Yellow Wallpaper”, is about the internal struggle and confinement of a nameless woman. This woman confesses she is indeed not well and that her husband, John, who is a physician, diagnoses her with nervous depression. The treatment of said nervousness is where the story’s conflict arises. John decides his wife needs solitude in order to recover. He believes this solace will be found in an estate he rented. The narrator’s ultimate insanity is prompted by the isolation, denial, and self-judgment that she is forced into by her husband.

A brave woman sang a sombre song from inside a birdcage in the late 19th century. As a novelist and a well-known feminist, Charlotte Perkins Gilman fearlessly spoke up about her concepts on freedom in her masterpiece, “The Yellow Wallpaper”. She proposed a big issue -divorce- around that time. In this semi-autobiographical story, she describes her conflict of marital discord. Gilman intertwines her frustrations about a relationship with her husband and depicts the distress through many symbols, so that people should be aware what genuine happiness as a human being is.

The Yellow Wallpaper written by Charlotte Perkins Gilman captivates the audience into the psyche of a young mother and wife through journal entries. The wife has been confined to her room for a cure to her depression. As the women remains in the room, she becomes obsessed with the yellow wallpaper that borders the room. She experiences hallucinations that come because of the wallpaper. Gilman’s story shows the struggle of women’s independence and individuality towards the rise of feminism and an indication towards her own life and experiences through the point of view of the wife in the story.

In the 1800s, people knew absolutely nothing about mental illness. Benjamin Rush and Dorothea Dix came along and changed the psychological world forever. The story, “The Yellow Wallpaper,” written in 1892, by Charlotte Perkins Gillman, wrote this short story after suffering from her own “personal nervous breakdown in 1885. It is a semi-autobiographical record of psychiatric treatment and the descent into ‘madness’.” In that time, little relief and help was available. Gilman emphasizes that fear has copious power through the devices of imagery, the ghostly sight, the characterization through the dark thoughts, and the symbol of the wallpaper, her life, suggesting that fear in the rawest form will either terrorize the soul or set it free.

Accepting that one person’s craziness can be another’s reality can be the barrier between acceptances in society. Preconception can come in any form and from anyone: family, friend, co-worker, or stranger. Charlotte Perkins Gilman writes of her reality in “The Yellow Wallpaper” as a semi-autobiography. As a feminist, Gilman gives the silent woman of her decade a voice through such works. In detail, “The Yellow Wallpaper” tells of the narrator suffering from post-partum depression and the only cure, giving by her husband, is rest. A variety of elements play a role in this character’s demise: era, gender inequality, ineffective communication, and personal weaknesses.

Charlotte Perkins Gilman’s 1892 short story, The Yellow Wallpaper represents an early utilisation of a mentally unstable unreliable narrator. Gilman’s narrator is, in fact, so unreliable that her name is the subject of critical discussion over a century after the story’s initial publication. Whilst the descent of Gilman’s narrator into madness has been the subject of various conflicting literary interpretations it is certain that Gilman’s own experiences of mental health problems and subsequent inadequate attempts at treatment provided the mainstay of her inspiration for the novel. In her autobiography Gilman stated that "the real purpose of the story was to reach Dr. S. Weir Mitchell [her doctor], and convince him of the error of his ways’. Gilman’s use of such a forwardly unreliable narrator was not ground-breaking, the technique has been utilised by authors from Chaucer to Sterne. Yet Gilman’s choice utilisation in order to explore both her own condition and broader societal attitudes towards the management of the mentally-ill was unprecedented. Some seventy years later, as critics began to flesh out formal approaches to unreliable narrators against the backdrop of emergent war-scarred and drug-enveloped countercultures the scene was set for further similar explorations of mental health through Gilman’s established means.

In today’s society, women have the ability to conveniently visit a clinic of any capacity and receive medication and treatment for virtually any ailment. In fact, something as small as a simple cough or a runny nose is enough to put someone in the hospital. Imagine if it wasn’t that easy. Imagine doctors brushing the symptoms off as if they were nothing. Imagine suffering from severe postpartum depression that is bordering on psychosis, and all the doctor prescribes is rest and complete seclusion from the outside world. For Charlotte Perkins Gilman and other women in the late nineteenth century, this nightmare was a reality. But through this struggle, Gilman wrote her most well-known literary piece on feminism: “The Yellow Wallpaper”. This autobiographical fiction short story was written to bring to light the foul treatment of women and is still highly debated today among feminists. A concentration on the history of “The Yellow Wallpaper”, key feminist interpretations of the short story, and the author’s reflection of the piece and how it relates to women’s discourse, will reveal that Gilman’s literary work still holds a very active role in modern day feminism.

“The Yellow Wallpaper” is a short story written by Charlotte Perkins Gilman is which she portrayed how the protagonist is reflected when she had suffered from a nervous disorder, that also had an emotional impact on her life after giving the birth of her baby. Her husband John is a physician, who had misdiagnosed her with hysteria, later suggested her with the rest cure for her illness. The protagonist was not happy with this “rest cure”; she expressed how she felt about her marriage life and what she went through with this illness and how it affected her everyday routine.

Charlotte Perkins Gilman, author of the novel entitled, The Yellow Wallpaper significantly used the aspects of literature such as genre, stance, and register to express the social message concerning the sufferings that women undergo in their daily affairs. However, most of the females do not have control over the challenges that develop in their surroundings. Gilman also uses the book to entertain the society members thus providing relief to the readers. In essence, the author of the novel above used the literature aspects above to illustrate the gender roles in the ancient societies. For instance, the community conferred more powers to the males compared to the women. The application of various literary styles in a particular novel plays

“The Yellow Wallpaper” is written from the perspective of a woman who is diagnosed by her physician-husband as having “a slight hysterical tendency.” The story is from her first-person perspective of this “temporary nervous depression.” Her husband John loves her, but is condescending: “He is very careful and loving and hardly lets me stir without special direction” (648). He calls her