AJ Meldick
Mrs. Sites
AP English 12
October 9, 2017
“The Yellow Wallpaper”, written by Charlotte Perkins Gilman, shows the slow progression of madness from the point of view of the person who is going mad. Our narrator, unnamed, but possibly named Jane, says she is sick, as does her doctor and husband, John. This short story can be interpreted in many different ways, but mainly focuses on the oppression of women in the late 1800’s. This woman who is seemly mad journeys through “hell” as she slides deeper into the confines of madness. At the start of our story, our narrator states that she is sick, per say of her Husband and her brother who are both doctors. John recommends a rest cure, which means that she will be confined to her room with no stimulus to the mind or body. Since she just had a baby, she could be suffering from post-partum depression, in which a rest cure is the worst thing to do for that. She notes some surroundings of the room and among the seemingly ominous descriptions she notices the yellow colored wallpaper. The wallpaper, bright in places and faded in others, makes her feel uncomfortable. She
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The name Jane is spoken in the story and there is no mention of said name at all again. Jane could be the name of our narrator or could be a misprint from John’s sister, Jennie. “I’ve got out in spite of you and Jane” she says to John. This story would take a major, ominous turn if Jane was the name of our narrator. This would mean that she doesn’t think she is herself anymore, but the woman in the wallpaper. If it was supposed to be “Jennie” then it could represent the escape from the oppression of men and the women who accept it. Either way, Jane remains a mystery. “The Yellow Wallpaper” has a narrator who is clinically insane at the end of our story, but who wouldn’t be? In this tale of madness, we see a young woman go insane from not only the lack of creative stimulus in a creative mind, but also from the oppression of the
“The Yellow Wallpaper” is a symbolic tale of one woman’s struggle to break free from her mental prison. Charlotte Perkins Gilman shows the reader how quickly insanity takes hold when a person is taken out of context and completely isolated from the rest of the world. The narrator is a depressed woman who cannot handle being alone and retreats into her own delusions as opposed to accepting her reality. This mental prison is a symbol for the actual repression of women’s rights in society and we see the consequences when a woman tries to free herself from this social slavery.
Charlotte Perkins Gilman’s, “The Yellow Wallpaper,” tells the story of a woman suffering from post-partum depression, undergoing the sexist psychological treatments of mental health, that took place during the late nineteenth century. The narrator in Gilman’s story writes about being forced to do nothing, and how that she feels that is the worst possible treatment for her. In this particular scene, the narrator writes that she thinks normal work would do her some good, and that writing allows her to vent, and get across her ideas that no one seems to listen to. Gilman’s use of the rhetorical appeal pathos, first-person point of view, and forceful tone convey her message that confinement is not a good cure for mental health, and that writing,
In Charlotte Perkins Gilman’s “The Yellow Wallpaper,” the narrator must deal with several different conflicts. She is diagnosed with “temporary nervous depression and a slight hysterical tendency” (Gilman 221). Most of her conflicts, such as, differentiating from creativity and reality, her sense of entrapment by her husband, and not fitting in with the stereotypical role of women in her time, are centered around her mental illness and she has to deal with them.
Through a woman's perspective of assumed insanity, Charlotte Perkins Gilman comments on the role of the female in the late nineteenth century society in relation to her male counterpart in her short story "The Yellow Wallpaper." Gilman uses her own experience with mental instability to show the lack of power that women wielded in shaping the course of their psychological treatment. Further she uses vivid and horrific imagery to draw on the imagination of the reader to conceive the terrors within the mind of the psychologically wounded.
Perkins Gilman’s ‘The Yellow Wallpaper’ and Edgar Allen Poe’s ‘The Fall of The House of Usher’ both serve a highly horrific purpose which is both good examples for the gothic. The strongest example of gothic is ‘The Fall of The House of Usher’ as it established the extreme horror intense and shows the gothic scene of the house.
“The Yellow Wallpaper,” written by Charlotte Perkins Gilman in 1892, is a great example of early works pertaining to feminism and the disease of insanity. Charlotte Gilman’s own struggles as a woman, mother, and wife shine through in this short story capturing the haunting realism of a mental breakdown.The main character, much like Gilman herself, slips into bouts of depression after the birth of her child and is prescribed a ‘rest cure’ to relieve the young woman of her suffering. Any use of the mind or source of stimulus is strictly prohibited, including the narrator’s favorite hobby of writing. The woman’s husband, a physician, installs into his wife that the rest treatment is correct and will only due harm if not followed through. This type of treatment ultimately drives the woman insane, causing her to envision a woman crawling behind the yellow wallpaper of her room. Powerlessness and repression the main character is subject to creates an even more poignant message through the narrator’s mental breakdown. The ever present theme of subordination of women in “The Yellow Wallpaper” is advanced throughout the story by the literary devices of symbolism, imagery, and allegory.
“The Yellow Wallpaper” a short story about a mentally ill women,written by Charlotte Perkins Gilman at age 32, in 1892 is a story with a hidden meaning and many truths. Charlotte Perkins Gilman coincidentally also had a mental illness and developed cancer leading her to kill herself in the sixties. The story begins with Jane, the mentally ill woman who feels a bit distressed, and although both of the well respected men in her life are physicians she is put simply on a “rest cure”. This rest cure as well as many symbols such as the Yellow Wallpaper, her journal, and her inevitable breakdown are prime examples of the typical life of a woman in this time period and their suppressed lives that they lived even with something as serious as a
It was commonly casted that women during the 19th century were not to go beyond their domestic spheres. If a woman were to go beyond the norms and partake in a “male” activity and not assign to “womanly” duties, it were to take an ill effect on her, because she was designed to act merely as a mother, wife, and homemaker. The short story “The Yellow Wallpaper”, by Charlotte Perkins Gilman, demonstrates the status of women in the 19th century within society, revealing that madness in this story stems from the oppressive control of gender on woman. A woman who is trying to escape from confinement may result in madness. The use of madness characterizes women as victims of society, suffering the effects of isolation brought on by oppression driving
In "The Yellow Wallpaper," Charlotte Perkins Gilman presents the narrator, being the main character, as an ill woman. However, she is not ill physically. She is ill in her mind. More than any chemical imbalance that may be present; the narrator's environment is what causes her to go mad.
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has
The descent into madness by the main character in “The Yellow Wallpaper” shows the impact of postpartum depression coupled with the oppression of women during the time period in which it was written. The author, Charlotte Gilman, suffered from postpartum depression herself and is considered the model for the main character and what she goes through, as chronicled in an article she later wrote in 1913 entitled “Why I Wrote The Yellow Wallpaper.” The woman in the story is taken for a “nervous condition” to have a rest cure prescribed by her husband, Dr. Silas Weir Mitchell, where the woman is essentially locked up against her will in a bedroom with limited human contact or means to occupy her time. The pattern of the yellow wallpaper in the room serves as prison bars as she continues to go mad. The main character is treated as a piece of property, prescribed a treatment for what is clearly postpartum depression that only furthers her condition rather than cures it, causing her to become beyond help, which directly portrays the subservient role of women in society at that time.
How would one feel if they were disrespected by society, yet they were the most important figures in it? Women are the people that are treated this way for reasons that still are questioning today. “The Yellow Wallpaper” by Charlotte Perkins Gilman displayed a story of how a woman was treated by her husband John when she was sick, and how the treatment caused her to be mentally and physically in bad health. He treated her as if she was a child with giving her commands on how to think and not to think for herself “I got up softly and went to feel and see if the paper did move, and when I came back John was awake. “What is it, little girl? he said. “Don’t go walking about like that- you’ll get cold.” (Schilb and Clifford 239). The author wrote the story to
She is sent to rest in the nursery and only called names such as “dear” and “my darling” so much that her name has been lost in the story. I have read theories that her real name is Jane because in the end she believes she was the woman trapped in the wallpaper and addresses a John and a Jane. Not being certain of a narrator and main character’s name is a talking point in itself: reflecting that she is questioning who she is, while being told who she should be. A big part of being submissive in a dominant world is the very fact that you lose little pieces of yourself, along with your voice.
The story “The Yellow Wallpaper” by Charlotte Perkins Gilman revolves around the abusive relationship the narrator share with her husband. The story is about a women who struggles against her husband to make her own identity. In this story their marriage is about control instead of love. This is a tale that alerts women to the dangers of marriage.
“The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of belief. The story appears to take place during a time period where women were oppressed. Women were treated as second rate people in society during this time period. Charlotte Perkins Gilman very accurately portrays the thought process of the society during the time period in which “The Yellow Wallpaper” is written. Using the aspects of Feminist criticism, one can analyze “The Yellow Wallpaper” by Charlotte Perkins Gilman through the dialogue through both the male and female perspective, and through the symbol found in the story.