literature
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Literature
 
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Verse
 
Anthologies
 
Quiller-Couch, Arthur, ed. 1919. The Oxford Book of English Verse.
Six centuries of the best poetry in the English language constitute the 883 poems of this unsurpassed anthology.
 
Nicholson & Lee, eds. 1917. The Oxford Book of English Mystical Verse.
From Donne and Traherne to Whitman and Yeats, this unique anthology spans 5 centuries with 390 selections by 162 authors.
 
Quiller-Couch, Arthur, ed. 1910. The Oxford Book of Ballads.
This anthology of 176 works ranges from the epic ballads of the Middle Ages to lyrics familiar to this day.
 
Lucas, St. John, ed. 1920. The Oxford Book of French Verse.
A selection of 317 works in the French language spanning six centuries.
 
Lounsbury, Thomas, ed. 1919. Yale Book of American Verse.
Selections from the Pantheon of American poets, including Bryant, Emerson, Longfellow and Lowell.
 
Untermeyer, Louis, ed.
 
1919. Modern American Poetry.
Over 130 poems from such American masters as Ezra Pound, Sara Teasdale, Stephen Vincent Benét and Emily Dickinson.
 
1920. Modern British Poetry.
Nearly 180 poems exemplify the works of Britain’s most revered poets, including Bridges, Kipling, “A. E.,” Synge and De la Mare.
 
Colum, Padraic, ed. 1922. Anthology of Irish Verse.
Arranged along national themes, a unique anthology of 181 poems and traditional songs.
 
Murdoch, Walter, ed. 1918. The Oxford Book of Australasian Verse.
The national characters and natural beauty of Australia and New Zealand invigorate 205 poems by 80 authors.
 
Grierson, Herbert J.C., ed. 1921. Lyrics & Poems of the 17th C.
The verse that “has been inspired by a philosophical conception of the universe.”
 
Palgrave, Francis, ed. 1921. The Golden Treasury.
Nearly 300 lyrical pieces and songs by such famous poets as Milton, Shakespeare, Shelley, Byron, Cowper, Burns and Spenser.
 
English Poetry I: From Chaucer to Gray. 1909–14.
The 293 works in this first part of an extensive anthology include a glossary of over 1,000 footnotes.
 
English Poetry II: From Collins to Fitzgerald. 1909–14.
The 330 works by more than 60 authors survey the greatest works of the English Romantic poets.
 
English Poetry III: From Tennyson to Whitman. 1909–14.
The 200 poems in this last of a three-volume anthology span 40 nineteenth-century Britains and Americans.
 
Hymns of the Christian Church. 1909–14.
A collection of 39 works from the early Catholic Church to Protestantism.
 
Indexes to Poems: Chronologic, Author, Title, First Line.
Hyperlinked indexes and anthology search.
 
Volumes
 
Brooke, Rupert. 1916. Collected Poems.
These 82 ecstatic poems form the heritage and chronicle of a handsome British youth who died in the Great War.
 
Burns, Robert. 1909–14. Poems and Songs.
557 works by the most lauded poet of Scotland, with a glossary of over 1,900 words and phrases.
 
Chapman, George, trans. 1857. The Odysseys of Homer, vol. 1.
Chapman’s elegant 1614–16 translation of Homer’s epic.
 
Dante Alighieri. 1909–14. The Divine Comedy.
The height of the fall-and-redemption genre that would influence every generation of writer since.
 
Dickinson, Emily. 1924. Complete Poems.
Comprising 597 poems of the Belle of Amherst.
 
Eliot, T.S.
 
1917. Prufrock and Other Observations.
This collection contains one of Eliot’s first and most well-known poems, “The Love Song of J. Alfred Prufrock.”
 
1920. Poems.
Collection of twelve poems including “Lune de Miel” and “The Hippopotamus.”
 
1922. The Waste Land.
Perhaps Eliot’s most famous piece, this controversial poem details the journey of the human soul searching for redemption.
 
Frost, Robert
Frost’s poems are concerned with human tragedies and fears, his reaction to the complexities of life and his ultimate acceptance of his burdens.
1915. A Boy’s Will.
1915. North of Boston.
1920. Mountain Interval.
1920. Miscellaneous Poems.
 
Graves, Robert. 1918. Fairies and Fusiliers.
Much of Graves’s poetry focuses on his experiences in World War I—as evidenced in these forty-six collected poems.
 
Hardy, Thomas. 1898. Wessex Poems & Other Verses.
Like many of Hardy’s novels, these fifty-one poems are all set against the bleak and forbidding Dorset landscape.
 
Hopkins, G.M. 1918. Poems.
Considered an early Modern poet ahead of his Victorian time, G.M. Hopkins’s verse is notable for his use of sprung rhythm.
 
Housman, A.E. 1896. A Shropshire Lad.
This collection of verse is Housman’s signature work reflecting on passing of youth in the English countryside.
 
Keats, John. 1884. Poetical Works.
A master of blank and lyrical verse, this collection includes all of Keats’s major and minor works.
 
Lawrence, D.H.
These two collections of verse were written as D.H. Lawrence’s career began its climb towards fame and controversy.
1916. Amores.
1916. New Poems.
 
Masters, Edgar Lee. 1916. Spoon River Anthology.
In these post-mortem autobiographical “epitaphs,” 244 former citizens reveal the truth about their lives—with the honesty no fear of consequences enables.
 
Millay, Edna St. Vincent. 1917. Renascence and Other Poems.
Millay’s first volume of poetry was praised for its freshness and vitality.
 
Milton, John. 1909–14. Complete Poems Written in English.
Paradise Lost and Regained—among the greatest epic poems of any age—combined with the full array of Milton’s English works.
 
Robinson, Edwin Arlington. 1921. Collected Poems.
Pulitzer Prize–winning collection of 166 poems, which includes the best examples of his work in both long and short verse forms.
 
Russell, George William. 1913. Collected Poems by A.E.
Selected and edited by the author, these 173 works epitomize the best of the Irish Renaissance poet.
 
Sandburg, Carl
Carl Sandburg celebrated his romance with America in these three early collections.
1916. Chicago Poems.
1918. Cornhuskers.
1920. Smoke and Steel.
 
Sassoon, Siegfried
At times violent, always honest, Sassoon’s poetry expresses his conviction of the brutality and waste of war in grim, forceful, realistic verse.
1918. The Old Huntsman and Other Poems.
1918. Counter-Attack and Other Poems.
1920. Picture-Show.
 
Shakespeare, William. 1914. The Oxford Shakespeare.
The 37 plays, 154 sonnets and miscellaneous verse that constitute the unrivaled literary cornerstone of Western civilization.
 
Shelley, Percy Bysshe. 1901. Complete Poetical Works.
This partial collection of Shelley’s poetry reveals his philosophy, a combination of belief in the power of human love and reason, and faith in the perfectibility and ultimate progress of man.
 
Stein, Gertrude. 1914. Tender Buttons.
A poetic series of “cubist” verbal portraits on such things as objects, food and rooms.
 
Stevenson, Robert Louis. 1913. A Child’s Garden of Verses and Underwoods, with Life of Robert Louis Stevenson by Alexander Harvey.
Two of Stevenson’s best-loved verse collections comprising 121 poems, some in Scots.
 
Vergil. 1909–14. Æneid.
The greatest of Latin epics, concerning the mythic founder of Rome.
 
Whitman, Walt. 1900. Leaves of Grass.
In 1855 Whitman published Leaves of Grass (later known as Song of Myself) in which the author proclaims himself the symbolic representative of common people.
 
Wilde, Oscar. 1881. Poems.
This first of Wilde’s published works was well received and served as a springboard for his 1882 United States lecture tour.
 
Wordsworth, William. 1888. Complete Poetical Works.
This 1888 complete collection contains nearly 900 of Wordworth’s poems.
 
Yeats, William Butler
Collections of verse by one of the greatest lyric poets of twentieth-century literature.
1899. The Wind Among the Reeds.
1916. Responsibilities and Other Poems.
1919. The Wild Swans at Coole.
 
Fiction
 
Anthologies
 
Eliot, Charles W., ed. 1909–17. The Harvard Classics and Harvard Classics Shelf of Fiction.
The most popular anthology of the twentieth century comprises 70 volumes.
 
Matthews, Brander, ed. 1907. The Short-Story.
Twenty-three classic short stories trace the development of the genre from the Middle Ages to the beginning of the twentieth century.
 
Rhys, Ernest, ed. 1921. The Haunters and the Haunted.
Fifty-seven ghost stories from literary works, folklore and myth.
 
Volumes
 
Aeschylus.
1909–14. The House of Atreus: Agamemnon, The Libation-Bearers & The Furies.
The Oresteian trilogy represents the height of Greek drama. The sins of the parent rest on the head of the child, who seeks vengeance and expiation.

1909–14. Prometheus Bound.
The emergence of the individual against his angry God.
 
Æsop. 1909–14. Fables.
These 82 allegories remain part of everyday speech and provide eternal tales of caution.
 
Andersen, Hans Christian. 1909–14. Tales.
Written for children in the local Danish idiom, these 20 tales have become part of world folklore.
 
Anderson, Sherwood. 1919. Winesburg, Ohio.
Short stories of the alternately complex, lonely, joyful and strange lives of the inhabitants of a small American town.
 
Aristophanes. 1909–14. The Frogs.
Dionysus descends into the underworld, where he judges a contest between Euripides and Æschylus.
 
Austen, Jane. 1917. Pride and Prejudice.
From the Harvard Classics Shelf of Fiction, Vol. III, Part 2.
 
Balzac, Honoré de. 1917. Old Goriot.
From the Harvard Classics Shelf of Fiction, Vol. XIII, Part 1.
 
Björnson, Björnstjerne. 1917. A Happy Boy.
From the Harvard Classics Shelf of Fiction, Vol. XX, Part 2.
 
Buchan, John. 1915. The Thirty-nine Steps.
The basis for the 1935 Hitchcock film, this engaging mystery novel is filled with intrigue and suspense.
 
Bunyan, John. 1909–17. The Pilgrim’s Progress.
The most well-known allegory ever written is simultaneously filled with vivid and full human portraits of its characters.
 
Calderón de la Barca, Pedro. 1909–17. Life Is a Dream.
Metaphysical tale of the blurring between reality and dreams.
 
Cather, Willa. 1922. One of Ours.
Pulitzer Prize–winning novel of a midwestern American’s journey to the front of World War I.
 
Cervantes Saavedra, Miguel de. 1909–17. Don Quixote, Part 1.
Published nearly 400 years ago in Spanish, this parody of the chivalrous life remains amazingly familiar in translation today.
 
Chesterton, G.K. 1908. The Man Who Was Thursday.
Set in a fantastic London, this zany mystery story is filled with often-surreal twists that turn more traditional thrillers on their ear.
 
Christie, Agatha. 1920. The Mysterious Affair at Styles.
Agatha Christie begins the illustrious career of detective-extraordinaire Hercule Poirot in her 1920 mystery classic.
 
Colum, Padraic.
Classic retellings of ancient myth for younger readers by a preeminent poet and illustrator.
1918. The Adventures of Odysseus and the Tale of Troy.
1922. The Golden Fleece and the Heroes Who Lived before Achilles.
 
Corneille, Pierre. 1909–17. Polyeucte.
Corneille’s great religious tragedy.
 
Daudet, Alphonse. 1917. Five Short Stories.
From the Harvard Classics Shelf of Fiction, Vol. XIII, Part 4.
 
Dickens, Charles. 1917. David Copperfield.
From the Harvard Classics Shelf of Fiction, Vols. VII & VIII.
 
Dostoevsky, Fyodor. 1917. Crime and Punishment.
From the Harvard Classics Shelf of Fiction, Vol. XVIII.
 
Eliot, George. 1917. The Mill on the Floss.
From the Harvard Classics Shelf of Fiction, Vol. IX.
 
Euripides.
1909–14. The Bacchæ.
Dionysus punishes Thebes, and its ruler Pentheus, for denying his godhood.

1909–14. Hippolytus.
Aphrodite causes Phaedra to fall in love with her stepson, Hippolytus, with tragic consequences.
 
Fielding, Henry. 1917. The History of Tom Jones, a Foundling.
From the Harvard Classics Shelf of Fiction, Vols. I & II.
 
Fitzgerald, F. Scott. 1920. This Side of Paradise.
Describing life at Princeton among the glittering, bored and disillusioned—the post–World War I “lost generation.”
 
Fontane, Theodor. 1917. Trials and Tribulations.
From the Harvard Classics Shelf of Fiction, Vol. XV, Part 4.
 
Goethe, J. W. von. 1909–14. Faust. Part I.
Goethe’s retelling of the classic Faust legend and the crowning achievement of his literary output.

1909–14. Egmont.
Count Egmont leads an ultimately tragic rebellion against Spanish rule in The Netherlands.

1909–14. Hermann and Dorothea.
This “novelette in verse” tells the story of a young girl who finds love after fleeing the chaos of the French Revolution.

1917. The Sorrows of Werther.
From the Harvard Classics Shelf of Fiction, Vol. XV, Part 1.

1917. Wilhelm Meister’s Apprenticeship.
From the Harvard Classics Shelf of Fiction, Vol. XIV.
 
Grimm, Jacob and Wilhelm. 1909–14. Household Tales.
These 42 selections preserved the folklore of the German people and formed an inspiration to generations of storytellers.
 
Hale, Edward Everett. 1917. The Man without a Country.
From the Harvard Classics Shelf of Fiction, Vol. X, Part 6.
 
Harte, Francis Bret. 1917. Three Stories.
From the Harvard Classics Shelf of Fiction, Vol. X, Part 4.
 
Hawthorne, Nathaniel.
1850. The Scarlet Letter.
Hawthorne’s classic tragedy of love and morals in Puritan New England.

1917. The Scarlet Letter & Rappaccini’s Daughter.
From the Harvard Classics Shelf of Fiction, Vol. X, Part 1.
 
Homer. 1909–14. The Odyssey.
The myriad adventures of the first epic hero from a distant war to the land of his faithful family.
 
Hugo, Victor Marie. 1917. Notre Dame de Paris.
From the Harvard Classics Shelf of Fiction, Vol. XII.
 
Irving, Washington. 1917. Rip Van Winkle & The Legend of Sleepy Hollow.
From the Harvard Classics Shelf of Fiction, Vol. X, Part 2.
 
James, Henry. 1917. The Portrait of a Lady.
From the Harvard Classics Shelf of Fiction, Vol. XI.
 
Jewett, Sarah Orne. 1910. The Country of the Pointed Firs.
Capturing the beauties of everyday small-town life, the modern reader is transported to a time past—where life was much simpler but in many ways just as complex.
 
Keller, Gottfried. 1917. The Banner of the Upright Seven.
From the Harvard Classics Shelf of Fiction, Vol. XV, Part 2.
 
Kielland, Alexander L.. 1917. Skipper Worse.
From the Harvard Classics Shelf of Fiction, Vol. XX, Part 3.
 
Lamb, Charles and Mary. 1878. Tales from Shakespeare.
The Lambs interweave the words of Shakespeare with their own to bring twenty of his most famous plays to the young reader.
 
Lessing, Gotthold Ephraim. 1909–17. Minna von Barnhelm.
Lessing’s great national drama.
 
Lewis, Sinclair. 1922. Babbitt.
The novel behind the name, Babbitt is the classic commentary on middle-class American society.
 
Malory, Sir Thomas. 1909–14. The Holy Grail.
A selection from Mallory’s famed Morte d’Arthur.
 
Manzoni, Alessandro. 1909–14. I Promessi Sposi.
The faith of two lovers overcomes all obstacles to their union.
 
Marlowe, Christopher. 1909–14. The Tragical History of Dr. Faustus.
Marlowe was the first to turn the Faustian myth into a morality play; it remains an apogee of Elizabethan drama.
 
Maupassant, Guy de. 1917. Walter Schnaffs’ Adventure and Two Friends.
From the Harvard Classics Shelf of Fiction, Vol. XIII, Part 5.
 
Melville, Herman. 1853. Bartleby, the Scrivener.
In this classic short story, Melville presents us with a perplexing legal scrivener, Bartleby, and his disturbing effect on those around him.
 
Molière. 1909–17. Tartuffe.
Molière’s satire of the religious hypocrite.
 
Musset, Alfred de. 1917. The Story of a White Blackbird.
From the Harvard Classics Shelf of Fiction, Vol. XIII, Part 3.
 
O’Neill, Eugene.
1920. Beyond the Horizon.
Explores the results of two men’s love for the same woman and the compromises each will make to have her.

1922. Three Plays.
Comprises “The Hairy Ape,” “The First Man” and Pulitzer Prize–winning “Anna Christie.”
 
Poe, Edgar Allan. 1917. Three Stories.
From the Harvard Classics Shelf of Fiction, Vol. X, Part 3.
 
Quiller-Couch, Arthur. 1910. The Sleeping Beauty and other Fairy Tales.
Quiller-Couch’s retelling of four classic fairy tales from the Cabinet des Fées.
 
Racine, Jean. 1909–17. Phædra.
Racine’s retelling of Euripides’s Hippolytus.
 
Sand, George. 1917. The Devil’s Pool.
From the Harvard Classics Shelf of Fiction, Vol. XIII, Part 2.
 
Schiller, Friedrich von. 1909–17. Wilhelm Tell.
A powerful tale of resistance to Austrian domination.
 
Scott, Sir Walter. 1917. Guy Mannering, or the Astrologer.
From the Harvard Classics Shelf of Fiction, Vol. IV.
 
Shaw, Bernard.
1903. Man and Superman.
This play—in which an idealistic, cerebral man succumbs to marriage—contains the almost equally famous dream sequence “Don Juan in Hell.”

1916. Pygmalion.
Based on the classical myth, this drama plays on the complex business of human relationships in a social world.
 
Shakespeare, William. 1914. The Oxford Shakespeare.
The 37 plays, 154 sonnets and miscellaneous verse that constitute the unrivaled literary cornerstone of Western civilization.
 
Sophocles.
1909–14. Antigone.
Creon forbids the burial of those who rebelled against his rule; but, Antigone, soon to marry his son, disobeys this edict to bury her brother.

1909–14. Oedipus the King.
Unknowlingly, Oedipus kills his father and marries his mother.
 
Stein, Gertrude. 1909. Three Lives.
This first of Stein’s works established her position as a master of the English language and expositor of the twentieth-century woman.
 
Sterne, Laurence. 1917. A Sentimental Journey through France and Italy.
From the Harvard Classics Shelf of Fiction, Vol. III, Part 1.
 
Stevenson, Robert Louis.
1886. The Strange Case of Dr. Jekyll and Mr. Hyde.
The nightmare-inspired “bogey tale.”

1889. The Master of Ballantrae: A Winter’s Tale.
A Romance set in Stevenson’s native Scotland.
 
Stories from the Thousand and One Nights. 1909–14.
42 selections that have become among the best-known of folk tales for younger readers.
 
Storm, Theodor. 1917. The Rider on the White Horse.
From the Harvard Classics Shelf of Fiction, Vol. XV, Part 3.
 
Synge, J.M. 1911. The Playboy of the Western World.
The controversial play that ignited the “Playboy Riots.”
 
Tarkington, Booth. 1918. The Magnificent Ambersons.
The rise and fall of three generations of a successful and socially connected family in the face of a changing America.
 
Thackeray, William Makepeace. 1917. Vanity Fair, A Novel without a Hero.
From the Harvard Classics Shelf of Fiction, Vols. V & VI.
 
Tolstoy, Leo. 1917. Anna Karenin.
From the Harvard Classics Shelf of Fiction, Vols. XVI & XVII.

1917. Ivan the Fool.
From the Harvard Classics Shelf of Fiction, Vol. XVII, Part 2.
 
Turgenev, Ivan. 1917. A House of Gentlefolk.
From the Harvard Classics Shelf of Fiction, Vol. XIX, Part 1.

1917. Fathers and Children.
From the Harvard Classics Shelf of Fiction, Vol. XIX, Part 2.
 
Twain, Mark. 1917. Jim Smily and His Jumping Frog.
From the Harvard Classics Shelf of Fiction, Vol. X, Part 5.
 
Valera, Juan. 1917. Pepita Jimenez.
From the Harvard Classics Shelf of Fiction, Vol. XX, Part 1.
 
Wells, H.G.
1897. The Invisible Man.
Wells’s thrilling masterpiece of the mad scientist.

1896. The Island of Doctor Moreau.
The scientist playing god seems more relevant than ever in the age of cloning.

1898. The Time Machine.
The classic time-traveling yarn: what seems too good to be true invariably is.

1898. The War of the Worlds.
The original invasion from Mars, made all-too-real by Orson Welles in his 1938 radio adaptation.
 
Wharton, Edith. 1920. The Age of Innocence.
Set in the sumptuous Golden Age of New York society, dated social norms prove a still powerful force against personal desire.
 
Woolf, Virginia. 1921. Monday or Tuesday.
Eight early short stories are highly representative of Woolf’s stream-of-consciousness style.



 
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