Araby Bazaars

In the end, the two boys are faced with the grim reality that the girls have no desire for their company. This is their awakening of themselves. It shows how despair can be both disheartening and uplifting at the same time. The gifts each young man offered his love interest are not well received. No matter their efforts, both young men fail miserably in their attempts to win their respective ladies. Sammy knows what he has done will change his life forever and that nothing can change that now but, is also very exited at what the future holds. The boy from "Araby" is left alone, in the middle of the bazaar, realizing the foolishness of his thought. The final line of "Araby" summarizes the feeling that both boys share, "Gazing up into the darkness I saw myself as a creature driven and derided by vanity; and my eyes burned with anguish and anger".

In the story of, "Araby" James Joyce concentrated on three main themes that will explain the purpose of the narrative. The story unfolded on North Richmond Street, which is a street composed of two rows of houses, in a desolated neighborhood. Despite the dreary surroundings of "dark muddy lanes" and "ash pits" the boy tried to find evidence of love and beauty in his surroundings. Throughout the story, the boy went through a variety of changes that will pose as different themes of the story including alienation, transformation, and the meaning of religion (Borey).

Having a priest, Mrs. Mercer, and the uncle they boy started to learn some ways about the real truth about adulthood, but after he visits Araby he’s able to understand what he did to make him understand what he did wrong. Araby from trying to develop from a child into an adult makes him excited where he can have a close chance to show purity for his love and hope but at the end his strong belief did not accomplish. As an alternative the boy feels that his absolute feeling of disappointment went

The boy's final disappointment occurs as a result of his awakening to the world around him. The tawdry superficiality of the bazaar, which in his mind had been an "Oriental enchantment," strips away his blindness and leaves him alone with the realization that life and love differ from the dream. Araby, the symbolic temple of love, is profane. The bazaar is dark and empty; it thrives on the same profit motive as the market place ("two men were counting money on a salver"); love is represented as an empty, passing flirtation.

James Joyce’s “Araby” is a short story narrated by an adolescent boy who falls in love with a nameless girl on North Richmond Street. Every day this boy watches her “brown figure,” which is “always in [his] eyes,” and chases after it (27). According to the boy, “lher image accompanie[s] [him] even in places the most hostile to romance” (27). He thinks of her bodily figure often, invokes her name “in strange prayers and praises”, and emits “flood[like]” tears at the mere thought of her (27). The boy exhibits all this emotion, despite the fact that he “had never spoken to her, except for a few casual words"(27). Therefore, when he finally has a conversation with her, about a Dublin bazaar called Araby, it causes him to become disoriented. The boy fails to concentrate at his Christian Brother School and at home, because Mangan’s sister finally talks to him. The boy, determined to get something for his lover at the bazaar she cannot attend, asks his uncle for money. However, to his distress, his uncle forgets and the boy is unable to attend the bazaar until “it [is] ten minutes to ten” (31). This delay and the long journey by train causes the boy to become irritated. His irritation soon turns to anger as he enters the bazaar only to find it practically empty except for two men with “English accents” and a female engaged in a conversation (32). At this point, the boy loses interest in buying anything at the bazaar for his lover and decides to feign interest to appease the

The narrator “Araby”, an unnamed young Irish boy, living with his aunt and uncle on North Richmond Street, residing in a house once occupied by a now-dead priest. The narrator, an orphan, spends his days attending school, spending time with his friend Mangan, and pining after Mangan’s sister. The narrator lives a relatively normal live, although he gradually becomes more consumed with the idea of Mangan’s sister, “I could not call my wandering thoughts together. I had hardly any patience with the serious work of life which, now that it stood between me and my desire, seemed to me child’s play” (Joyce, 124. The narrator idealizes Mangan’s sister, barely speaking to her, yet he

The unnamed boy wasn’t courageous and outgoing like Sammy is. He was rather quite shy, and timid when it came to communicating with Mangan’s sister. The one day he finally did talk to her it was about the bazaar, he promised that he would bring something back for her. However this task proved to be difficult as the young man had to wait for his uncle, who had been out all day, to come home to supply him with money so he could take the train and buy her a gift. Arriving at the bazaar extremely late, the young man realized that the love he thought he had for this girl was a misrepresentation of his feelings. The unnamed boy stated “Once or twice the young lady glanced at me over her shoulder. I lingered before her stall, though I knew my stay was useless, to make my interest in her wares seem the more real […] Gazing up into the darkness I saw myself as a creature driven and derided by vanity; and my eyes burned with anguish and anger” (Joyce 255). In spite of the fact that he guarantees Mandan’s sister that he will go to the bazaar and buy a present for her, the mundane realities of schoolwork, his uncle’s tardiness, and late train undermine his plans and at last thwart his wishes. Once the unnamed boy arrived at the bazaar there were only English accents and flowered teacups, nothing symbolizing a bazaar. The unnamed boy realizes that he was not

In her story, "Araby," James Joyce concentrates on character rather than on plot to reveal the ironies inherent in self-deception. On one level "Araby" is a story of initiation, of a boy’s quest for the ideal. The quest ends in failure but results in an inner awareness and a first step into manhood. On another level the story consists of a grown man's remembered experience, for the story is told in retrospect by a man who looks back to a particular moment of intense meaning and insight. As such, the boy's experience is not restricted to youth's encounter with first love. Rather, it is a portrayal of a continuing problem all through life: the incompatibility of the ideal, of the dream

In James Joyce’s short story "Araby," the main character is a young boy who confuses obsession with love. This boy thinks he is in love with a young girl, but all of his thoughts, ideas, and actions show that he is merely obsessed. Throughout this short story, there are many examples that show the boy’s obsession for the girl. There is also evidence that shows the boy does not really understand love or all of the feelings that go along with it.

The story “Araby” as told by James Joyce is about a young boy that is fascinated with the girl across the street. But deeper down the story is about a very lonely boy lusting for her love and affection. Throughout the story, we see how the frustration of first love, isolation and high expectations breaks the main character emotionally and physically. James Joyce uses the first-person viewpoint to tell this story which helps influence the plot, characterization, themes, and understanding of the main character.

Although "Araby" is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce's uses the boy in "Araby" to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.

“Araby,” is a story of emotional passion carefully articulated by the author, James Joyce, to mark the end of childhood and the start of adolescence. It is told from the perspective of a young boy who is filled with lust for his friend, Mangan’s, sister. He lives in a cheerless town on a street hosting simply complacent families who own brown faced houses that stare vacantly into one another. The boy temporarily detaches himself from this gloomy atmosphere and dwells on the keeper of his affection. Only when he journeys to a festival titled Araby, does he realize that his attempt at winning the heart of Mangan’s sister has been done in an act of vanity. Joyce takes advantage of literary elements such as diction and imagery to convey an at times dreary and foolishly optimistic tone.

ter days of anticipation, the boy finally goes to Araby. But when he makes the trip to the bazaar, he returns empty-handed. He does not buy anything because of his lack of money, late arrival, and most notably, his general disappointment in the bazaar. After speaking with one of the vendors, he remarks, “The tone of her voice was not encouraging; she seemed to have spoken out of a sense of duty”. He feels that the vendor is more concerned with conversing with the two Englishmen, which is another reason for his disappoint in Araby because of England's involvement in Ireland and much of the rest of the world that is under the thumb of this great imperial power. He is expecting an authentic Arabian bazaar, as its name suggests, but instead he

James Joyce’s short story Araby delves into the life of a young adolescent who lives on North Richmond Street in Dublin, Ireland. Narrated in the boys’ perspective, he recounts memories of playing with friends and of the priest who died in the house before his family moved in. With unrestrained enthusiasm, the boy expresses a confused infatuation with the sister of his friend Mangan. She constantly roams his thoughts and fantasies although he only ever catches glimpses of her. One evening she speaks to him, confiding that she is unable to visit Araby, a bazaar. Stunned by the sudden conversation, the boy promises he will go and bring her back a small memento. In anticipation, the boy launches into a period of restless waiting and distraction

169). The rooms are described as, “musty from having been long enclosed, hung in all the rooms, and the waste room behind the kitchen was littered with old useless newspapers (p. 169).” Already, the reader can get an image in their head using a bit of imagination. The setting at the beginning of the story suggests that the boy lives in an older building. Not only is the building depicted as old but the former tenant who lived in the house was a priest (p. 169). The settings also move to the bazaar that the boy attends in hopes that he can purchase an item for Mangan’s sister. The bazaar is called Araby, which happens to be the title of the story. The bazaar is a charitable event one that the boy hopes to attend. By the time the boy could attend the bazaar, it was shutting down for the evening as the boy had arrived late into the night. The boy was discouraged into buying any items from the vendors because the one that was open the vendor had a distasteful tone in her voice and it was not at all encouraging for the boy (p. 173). The setting is just one component of the story the plot is