In this coming of age novel Lucy, by Jamaica Kincaid, a story is told of a young girl named Lucy as her life in America changes from what it was in the West Indies. Lucy struggles throughout the novel to find what exactly she desires. Drifting further and further from being similar to her mother. Lucy and her development throughout the novel are shown through her virginity, heterosexuality, and love as Kincaid forces questioning upon what is sexual normality. How one can feel trapped under sexual norms and feels lost. One of the norms Kincaid questions is virginity, whether sex is actually meaningful, that it could be enjoyable without the feeling of love. As a nineteen-year-old girl, Lucy is new to what a sexual relationship could have …show more content…
She left with him before even learning his name and spent the night as she says, “I left Roland’s bed only because I had promised Paul I would see him later that night.” This is another case where Lucy shows that sex does not mean much to her. That she has pleasure without attachment. This is not the first time that Lucy has gone from one man to the next. It is another sexual norm that Kincaid inputs on the story. Lucy wanted to separate herself from being similar to her mother, she did not want to be like her any longer because she had felt trapped by the way she was raised. At one point in the novel that ties both virginity and monogamy is where she introduces herself to Paul saying, “How are you?’ in a small, proper voice, the voice of the girl my mother hoped I would be: clean, virginal, beyond reproach. But I felt the opposite of that.” (97) This is Kincaid showing how Lucy has such a rebellious desire to not be like her mother. Making her want to lose her virginity more and be with more men. This does not stop here, as monogamy and the value of sex is a reoccurring theme throughout the novel and it is not only with men. Another norm, although it is not touched upon much throughout the novel, is heterosexuality. Lucy and her friend Peggy who are very close, experiment with each other. But after meeting a boy they did not think to fondly of Lucy says, “We were so disappointed that we
Frederick Elliston’s “In Defense of Promiscuity” elucidates promiscuity and claims that non-committal sex holds more merit than sexual experiences restricted to either marriage or commitments; two spheres of the Western norm rejected by Elliston. Contrarily, Robert M. Stewart claims in “Meaningful Sex and Moral Respect” that engaging in “junk sex” (i.e. non-committal sex) hampers a person’s overall ability to achieve a higher level of sexual experience which surpasses physical pleasure and seeks deeper meaning. Although Stewart presents his arguments in accordance with morality and respect, his claims are one-sided and represent only the detriments of “junk sex” which make his arguments more questionable. On the other hand, Elliston’s arguments
This novel “is a book that truly speaks to adolescents in contemporary language and with teenage characters about adolescent sexuality” (Kaplan 27). Katherine is learning about her sexuality in the novel.
There seems to be a myth of sexuality and virginity because neither exist. It is time to teach young women that their ability does not depend on whether or not they are sexually active but that their ability to be good people depends on actually being good people. Valenti states that this book is for women who are suffering every day because of the lie that virginity exists, and that it has some bearing on who we are and how good we are. When it comes to understanding the myth, young women are taught about morality, but there is hardly ever any talk of compassion, kindness, courage, or integrity. There is a lot of talk about hymens: if we have them, when we will lose them, and under what circumstances we’ll be rid of them. By fetishizing youth and virginity, we are supporting a disturbing message: really sexy women are not women at all- they are girls. A strong statement that has probably touched the heart of those that have read this book states that: “A women’s worth lies in her ability or her refusal to be sexual… their bodies and their sexuality are what make them valuable. The sexual double standard is alive and well, and it is irrevocably damaging young
“Girl” is a short story in which the author, Jamaica Kincaid, unofficially presents the stereotypes of girls in the mid 1900s. Kincaid includes two major characters in the story “Girl”, they are the mother and the girl. Although the daughter only asks two questions in this story, she is the major character. The mother feels like her daughter is going in the wrong direction and not making the best decisions in her life. The whole story is basically the mother telling her daughter what affects her decisions will have in the future. The mother believes that because her daughter isn’t sitting, talking, cleaning, walking or singing correctly it will lead her to a path of destruction. “Girl” is a reflection of female sexuality, the power of family, and how family can help overcome future dangers.
(Stoker 80). Lucy wants to be free from societal marriage constraints and pursue all the men; however, societal constraints decide that she can only be with one man, Arthur Holmwood. She writes to Mina, ?You and I, Mina dear, who are engaged and are going to settle down soon soberly in to old married women? (Stoker 78). Lucy follows the collective belief that marriage institutes settling down with one man.
Sex and relationships are recurring themes throughout the genre and are essential elements teen narrative. Their portrayal ranges from comic interactions to serious exchanges and emotional liberation from restrictive forces. Timothy Shary explains the significance of these two thematic threads: “Romantic longing and sexual curiosity take on heightened intensity and profundity for youth in the adolescent years struggle to recognise and cope with the emotional and psychological changes”(2002). The character’s experience with sex are usually comedic and linked to sexual discovery and loss of virginity, which are continually present topics in the narrative. It is is often a determinant that shapes teen identity, as well as providing a commentary on societal questions regarding a desire of intimacy. The sexual exploits between the teen male and female investigates teen behavior and the conceptualization of feelings and emotions in their discovery of identity.
In ‘Lucy’ the character Lucy, an immigrant girl, leaves her home in the West Indies to come to America in order to reinvent herself and to discover her own identity. Her struggles for personal freedom and independence would require her complete disconnection from her family especially her mother. To do so, Lucy not only had to let go of her former identity, but she also has to void herself of the self-destruction and loneliness. Lucy’s liberation from the past is the key element to her finding her new self. That too will require her to mentally recolonized her past and present in a way she feels comfortable. The novel places Lucy at a cross road of culture and identities Antiguan and American. Upon arrival to America to work as an au pair for an
She began to find herself wanting to stay in the house to read instead of going out to play. She first started reading to escape from the problems of her daily life. She would read books about black history, religion and love. When she becomes old enough to date boys she begins to read books about pornography, not knowing that these books were not fit for a girl her age. Then she begins to pleasure herself in private, but after her sisters catch her she begins to feel ashamed and never does it again.
Sandra Cisneros’, “The House on Mango Street” focuses on the narration of Esperanza, a young adolescent growing up in Chicago. Throughout the novel, Esperanza strives to develop her own sense of identity, while searching for the means out of her poverty-stricken neighborhood. With the help of her friends and family, Esperanza discovers how the world works, and what she needs to do in order to successfully better herself. The novel features several concepts of gender and sexuality studies including that of class structures, red-lining, gender, sexuality, intersectionality, and beauty. Those listed are simply a few more prominent features, as each character Esperanza introduces displays many more concepts within each scene. The concept of gender is portrayed widely throughout the novel and creates a foundation for the expectations the girls are about to face as they grow. Intersectionality interplays within the daily lives of each girl, and is seen within every page of the novel. Finally, beauty standards play an important role in the transition from adolescent to young adult each girl faces. Together, gender, intersectionality, and beauty standards, make up the novel, as it portrays the importance of each of these three core concepts of gender, women and sexuality studies.
The Samoan culture and how socialization turns into sexuality for young girls is very different compared to our culture. In the Samoan culture sexuality in Samoan girls is seen differently than we see it in our culture today. Margaret Mead elaborates on this idea because of how she views the sexuality of a Samoan girl when she mentions “Virginity is a legal requirement for her” (Mead 69). When Mead discusses this, it is interesting how in that culture virginity is a requirement and that is something we don’t see as a requirement in our society today. This demonstrates how the sexuality of a Samoan girl is not the same as we see it. The way girls are seen because of their sexuality is incomparable to girls in our society today and that’s important to observe since Samoan culture is by far very different to what we view as part of culture today.
To do so, Levy turns to the experiences of several young women whom she interviews. From her interpretations of these experiences, Levy reaches the conclusion that these women’s sexual nature revolves around their need
Lesbianism plays a significant role in the book. It may be seen as the alternative world that the author knows nothing about, but latter explores it eagerly, making it an irreplaceable element of her personality. She finds out that lesbians were able for form communities and she was able to become part of them in several countries. Furthermore, the author explores all aspects of lesbian love ranging from genuine to
The mother-daughter relationship is a common topic throughout many of Jamaica Kincaid's novels. It is particularly prominent in Annie John, Lucy, and Autobiography of my Mother. This essay however will explore the mother-daughter relationship in Lucy. Lucy tells the story of a young woman who escapes a West Indian island to North America to work as an au pair for Mariah and Lewis, a young couple, and their four girls. As in her other books—especially Annie John—Kincaid uses the mother-daughter relationship as a means to expose some of her underlying themes.
The subject of virginity in the United States has changed immensely throughout the years. With the emerge of new social aspects such as feminism and gay rights movements, the value of the term has altered meanings. (Carpenter, 2002) Numerous studies were conducted in the 1970s and 1980s on sexuality. The results indicated that “young women, while more permissive than in previous decades, continued to value virginity,
Girls & Sex by Peggy Orenstein portrays teenage sexuality as anything but light-hearted. While the title would lead a person to believe that the book is all about girls’ sexuality, it is not. Sexuality among todays teen seems to be more focused on boys than girls. Today’s teenage culture is what is known as a “hook-up” culture. This hook-up culture seems to be driving teenagers into impersonal relationships consisting of various sexual acts. This book is a must read for educators, mothers, fathers, Aunts, Uncles, and so on, but be forewarned, the information that girls have shared with the author as she interviewed more than seventy young women between the ages of fifteen and twenty (Orenstein, P., 2016), can be alarming to anyone who is not yet aware of this culture.