The aristocracy is rich and powerful during the Baroque period. It is called " age of absolutism" because of the high power of the aristocracy. They use luxury entertainments to show their power. On the other hand, the religious institutions, which is divided into Catholic and Protestant, also compete their power with their baroque style in churches. And the middle-class also distribute the development of Baroque style as well. And because its ability of influence the development of baroque style, a style that represent luxury, it shows that the social status of the middle class is rising. 2. It means full of action and movement, well structured, filled with drama, being theatrical, and can be referred as magnificent extravagance,
3. The music elements, such as mood, rhythm, melody, dynamics, texture, harmony, tone color and form, has a characteristic defined in baroque. Firstly, the unity of mood means that one basic mood is expressed in one piece of music. Continuity is the main character in rhythm, melody and dynamic. Rhythm patterns and melodic lines in the beginning of the music is constantly repeated throughout the whole piece while dynamics stay unchanged and stable mostly. However, different elements have their specific defer, too. While a forward motion is formed by the continuous of rhythm, we cannot over look that beat is emphasized far more than the previous period, Renaissance. And the melodic line is not easy to sing and hard to
Baroque era was where the most important turn in music took place with its unique arts and its controversial styles to music in its time.
13. What voices or parts become more important? The entire structure of the Baroque piece rested on the Bass Voice. This new emphasis on chords and the Bass part results in the most characteristic feature of all Baroque music.
6. What are some characteristics of melody in Classical music? Short and clearly defined musical phrases with two or more contrasting themes.
Drive of rhythm sets the motion of the piece, whether or not it will be slow or fast, moving from strong to weak beats, creating a pulse. Finally, the expression of form is the full statement of the piece. It is the contrast between high points and pulling back, frantic moments of fury versus subdued passages. Combined, these details will be used to analyze the musical message the artists, Hilary Hahn and Jascha Heifetz are trying to convey to their listeners.
Music has evolved too many different forms that we recognize today. We trace this development throughout time. Beginning in the middle ages, we have seen advancement from the Gregorian chant all the way to the Jazz of the 20th century. The current events, politics, religion, technology and composers can shape musical eras during time. Here I will look at the middle ages, renaissance, baroque, classical, romantic and twentieth century periods. I hope that a better understanding can be reached to why, when, where and who are the reasons for musical evolution.
The era known as the Baroque period includes the seventeenth and most of the eighteenth centuries in Europe. The Baroque style was a style in which the art and artists of the time focused upon details and intricate designs. Their art often appeals to the mind by way of the heart. During this time the portraits began to portray modern life, and artists turned their backs on classical tradition. Much of the art shows great energy and feeling, and a dramatic use of light, scale, and balance (Preble 302). Buildings were more elaborate and ornately decorated. These works of art created history and altered the progress of Western Civilization. Architecture such as the palace of Versailles, and artists like
•The creation of the baroque style—an art style full of emotion, flamboyancy, symbolism, vigor, and subtlety—largely as a product of the Catholic Church patronage of the arts
The Baroque time period was a time of artistic style extravagant motion and clear, simply interpreted detail to produce drama, tension, excitement, and magnificence in sculpture, painting, architecture, literature, dance, theater, and music. Opera is an arrangement in which singers and musicians perform a dramatic work combining libretto (text) and musical score, typically in a theatrical setting. Opera came out of the baroque period of people wanting to make music that was more expressive. A group of people in Italy decided that a single line of melody with simple accompaniment would be much more expressive than words. This caused the creation of recitatives, which early operas consisted entirely of. This also caused arias, duets, and
Music has been categorized over time in different periods, each of which have their own characteristics, composers and music style. Two of those important periods were baroque and romantic, which had left an important musical legacy though history. The baroque was the period from about 1600 to 1750. It was called one of the best periods of the music history, because there was a huge change from the style of composition from antique and renaissance music which achieved great expectations about this music. Furthermore, Baroque music was written by great composers such as Bach, Handel, Rameau and Vivaldi who were the most representative composers of the period. In addition, Baroque music was characterized
The Baroque Period (1600-1750) was mainly a period of newly discovered ideas. From major new innovations in science, to vivid changes in geography, people were exploring more of the world around them. The music of the baroque period was just as extreme as the new changes. Newly recognized composers such as Bach, Handel, Vivaldi, and Monteverdi were writing entirely new musical ideas and giving a chance for new voices to be heard that were normally not thought of sounds. Their musical legacy is still recognized today, and is a treasured discovery of outstanding compositions being reiterated with every performance of them.
A number of modern artists have focused on reflecting personal perception of the world through a contemporary Baroque style in art. The increasing popularity of Baroque nowadays is due to the complex processes that took place in society and the solutions the modern culture has to offer to resolve them. Truly, through the history, the emergence of Baroque elements has always reflected the complexity of human life, followed by technological progress and cultural exchange. Eventually, Baroque, the style characterized by extravagance and drama, has been defined as anti-classical, innovative and experimental, intended to touch directly the beholder, individual of diverse and pluralistic society.
When approaching a performance, accomplished musicians often consider the historical context from which a piece originates. They most often think of such considerations in the application of that context as it pertains to early music that is, the Baroque era or earlier. For any era, such historical considerations are called performance practice, and may include the use of vibrato, ornamentation, dynamic levels, tempi, instrumental timbres, performance setting, and balance. Vibrato and ornamentation are two important areas of consideration that vocalists must explore when aiming to give an authentically Baroque performance.
In 1600 a new style of music began to evolve, this form of music was
The baroque period of music commenced in the year 1600 and ended around 1750 (Fuller – “Baroque”). Its texture was mainly polyphonic (Fuller – “Classical”). Polyphonic means that two or more different melodies are played simultaneously (McComb). This provides an energetic rhythm, long melodies, and many ornaments. The most famous composers of this time period were Vivaldi, Corelli, Monteverdi, Purcell, Handel, J.S. Bach, and Couperin. Many new styles of music were introduced, such as operas, sonatas, oratorios, suites, fugues, and concertos. Orchestras began to develop, but it was not until the classical period when orchestral music was perfected (Fuller – “Baroque”).
The animation of classical music began to increase; the transition was a natural growth of what comes before. Never before in history had it been possible to move from one kind of tempo, to another so naturally, with such grace. The kind of rhythmic transition is the touch stone of classical style (Rosen 60). For the classical composer, the Perpetuum Mobile1, where adding it, creates another challenge the composer has to overcome to achieve the added desire to break up the rhythmic texture of the piece and to create the tension required to add a dramatic force.