D.H. Lawrence (1885–1930). Amores. 1916.
53. Blue
T
The edge of the blue, and the sun stands up to see us glide
Slowly into another day; slowly the rover
Vessel of darkness takes the rising tide.
Me who am issued amazed from the darkness, stripped
And quailing here in the sunshine, delivered from haunting
The night unsounded whereon our days are shipped.
I who am substance of shadow, I all compact
Of the stuff of the night, finding myself all wrongly
Among the crowds of things in the sunshine jostled and racked.
And what do I care though the very stones should cry me unreal, though the clouds
Shine in conceit of substance upon me, who am less than the rain.
Do I know the darkness within them? What are they but shrouds?
Casting a shadow of scorn upon me for my share in death; but I
Hold my own in the midst of them, darkling, defy
The whole of the day to extinguish the shadow I lift on the breeze.
Enjoying their glancing flight, though my love is dead,
I still am not homeless here, I’ve a tent by day
Of darkness where she sleeps on her perfect bed.
Which vibrates untouched and virile through the grandeur of night,
But which, when dawn crows challenge, assaulting the vivid motes
Of living darkness, bursts fretfully, and is bright:
Stirred by conflict to shining, which else
Were dark and whole with the night.
Which else were aslumber along with the whole
Of the dark, swinging rhythmic instead of a-reel.
Which else were a silent grasp that held the heavens
Arrested, beating thick with wonder.
In a jet from out of obscurity,
Which erst was darkness sleeping.
Water and stones and stars, and myriads
Of twin-blue eyes, and crops
All lovely hosts of ripples caused by fretting
The Darkness into play.