Edmund Clarence Stedman, ed. (1833–1908). An American Anthology, 1787–1900. 1900.
By Maria GowenBrooks105 From Zophiël
H
Made dubious if of nature or of art,
So wild and so uncouth; yet, all the while,
Shaped to strange grace in every varying part.
As icicles about a laurel-tree;
And danced about their twigs a wondrous light;
Whence came that light so far beneath the sea?
The vault scarce seemed less vast than that of day;
No rocky roof was seen, a tender blue
Appeared, as of the sky, and clouds about it play;
To shame the sun; it mimicked him so well.
But ah! no quickening, grateful warmth it sent;
Cold as the rock beneath, the paly radiance fell.
Reflected back from gems about the wall;
And from twelve dolphin shapes a fountain plays,
Just in the centre of the spacious hall:
These shapes once lived in suppleness and pride,
And then, to decorate this wondrous court,
Were stolen from the waves and petrified,
And scaled all o’er with gems, they were but stone,
Casting their showers and rainbows ’neath the dome,
To man or angel’s eye might not be known.
Nor silken ball, by maiden loved so well;
But ranged in lightest garniture around,
In seemly folds a shining tapestry fell.
And all with pearls and sparkling gems o’er-flecked,
Of that strange court composed the rich attire,
And such the cold, fair form of sad Tahathyam decked.
And reddest coral decked each curious couch,
Which softly yielding to their forms was found,
And of a surface smooth and wooing to the touch.
Here was no lack; but if the veins of earth,
Torn open by man’s weaker race, so soon
Supplied the alluring hoard, or here had birth
Half told by Sprite most mischievous, that he
Might laugh to see men toil, then not impart,
The guests left unenquired:—’t is still a mystery.
Of amber pure, a glistening coronal,
Of various-colored gems, each brow enwreathed,
In form of garland, for the festival.