Contents
-BIBLIOGRAPHIC RECORD
William Shakespeare (1564–1616). The Tempest.
The Harvard Classics. 1909–14.
Scene II
Act I
[The island. Before Prospero’s cell]
Enter PROSPERO and MIRANDA
Mir.If by your art, my dearest father, you havePut the wild waters in this roar, allay them.The sky, it seems, would pour down stinking pitch,But that the sea, mounting to the welkin’s cheek,Dashes the fire out. O, I have sufferedWith those that I saw suffer! A brave vessel,Who had, no doubt, some noble creature in her,Dash’d all to pieces! O, the cry did knockAgainst my very heart. Poor souls, they perish’d.Had I been any god of power, I wouldHave sunk the sea within the earth or ereIt should the good ship so have swallow’d andThe fraughting souls within her.Pros.Be collected;No more amazement. Tell your piteous heartThere’s no harm done.Mir.O, woe the day!Pros.No harm.I have done nothing but in care of thee,Of thee, my dear one, thee, my daughter, whoArt ignorant of what thou art, nought knowingOf whence I am, nor that I am more betterThan Prospero, master of a full poor cell,And thy no greater father.Mir.More to knowDid never meddle with my thoughts.Pros.’Tis timeI should inform thee farther. Lend thy hand,And pluck my magic garment from me. So,[Lays down his mantle.]Lie there, my art. Wipe thou thine eyes; have comfort.The direful spectacle of the wreck, which touch’dThe very virtue of compassion in thee,I have with such provision in mine artSo safely ordered that there is no soul—No, not so much perdition as an hairBetid to any creature in the vesselWhich thou heard’st cry, which thou saw’st sink. Sit down;For thou must now know farther.Mir.You have oftenBegun to tell me what I am, but stopp’dAnd left me to a bootless inquisition,Concluding, “Stay, not yet.”Pros.The hour’s now come;The very minute bids thee ope thine ear.Obey and be attentive. Canst thou rememberA time before we came unto this cell?I do not think thou canst, for then thou wast notOut three years old.Mir.Certainly, sir, I can.Pros.By what? By any other house or person?Of anything the image tell me, thatHath kept with thy remembrance.Mir.’Tis far offAnd rather like a dream than an assuranceThat my remembrance warrants. Had I notFour or five women once that tended me?Pros.Thou hadst, and more, Miranda. But how is itThat this lives in thy mind? What seest thou elseIn the dark backward and abysm of time?If thou rememb’rest aught ere thou cam’st here,How thou cam’st here thou may’st.Mir.But that I do not.Pros.Twelve year since, Miranda, twelve year since,Thy father was the Duke of Milan andA prince of power.Mir.Sir, are not you my father?Pros.Thy mother was a piece of virtue, andShe said thou wast my daughter; and thy fatherWas Duke of Milan, and his only heirAnd princess no worse issued.Mir.O the heavens!What foul play had we, that we came from thence?Or blessed was ’t we did?Pros.Both, both, my girl.By foul play, as thou say’st, were we heav’d thence,But blessedly holp hither.Mir.O, my heart bleedsTo think o’ the teen that I have turn’d you to,Which is from my remembrance! Please you, farther.Pros.My brother and thy uncle, call’d Antonio—I pray thee, mark me—that a brother shouldBe so perfidious!—he whom next thyselfOf all the world I lov’d, and to him putThe manage of my state; as at that timeThrough all the signories it was the first,And Prospero the prime duke, being so reputedIn dignity, and for the liberal artsWithout a parallel; those being all my study,The government I cast upon my brotherAnd to my state grew stranger, being transportedAnd rapt in secret studies. Thy false uncle—Dost thou attend me?Mir.Sir, most heedfully.Pros.Being once perfected how to grant suits,How to deny them, who to advance and whoTo trash for overtopping, new createdThe creatures that were mine, I say, or chang’d ’em,Or else new form’d ’em; having both the keyOf officer and office, set all hearts i’ the stateTo what tune pleas’d his ear; that now he wasThe ivy which had hid my princely trunk,And suck’d my verdure out on ’t. Thou attend’st not.Mir.O, good sir, I do.Pros.I pray thee, mark me.I, thus neglecting worldly ends, all dedicatedTo closeness and the bettering of my mindWith that which, but by being so retir’d,O’er-priz’d all popular rate, in my false brotherAwak’d an evil nature; and my trust,Like a good parent, did beget of himA falsehood, in its contrary as greatAs my trust was; which had indeed no limit,A confidence sans bound. He being thus lorded,Not only with what my revenue yielded,But what my power might else exact,—like oneWho having into truth, by telling of it,Made such a sinner of his memoryTo credit his own lie,—he did believeHe was indeed the Duke. Out o’ the substitution,And executing the outward face of royalty,With all prerogative, hence his ambition growing—Dost thou hear?Mir.Your tale, sir, would cure deafness.Pros.To have no screen between this part he play’dAnd him he play’d it for, he needs will beAbsolute Milan. Me, poor man!—my libraryWas dukedom large enough—of temporal royaltiesHe thinks me now incapable; confederates—So dry he was for sway—wi’ the King of NaplesTo give him annual tribute, do him homage,Subject his coronet to his crown, and bendThe dukedom yet unbow’d—alas, poor Milan!—To most ignoble stooping.Mir.O the heavens!Pros.Mark his condition and the event, then tell meIf this might be a brother.Mir.I should sinTo think but nobly of my grandmother.Good wombs have borne bad sons.Pros.Now the condition.This King of Naples, being an enemyTo me inveterate, hearkens my brother’s suit;Which was, that he, in lieu o’ the premisesOf homage and I know not how much tribute,Should presently extirpate me and mineOut of the dukedom, and confer fair MilanWith all the honours on my brother; whereon,A treacherous army levied, one midnightFated to the purpose did Antonio openThe gates of Milan; and, i’ the dead of darkness,The ministers for the purpose hurried thenceMe and thy crying self.Mir.Alack, for pity!I, not rememb’ring how I cried out then,Will cry it o’er again. It is a hintThat wrings mine eyes to ’t.Pros.Hear a little further,And then I’ll bring thee to the present businessWhich now’s upon ’s, without the which this storyWere most impertinent.Mir.Wherefore did they notThat hour destroy us?Pros.Well demanded, wench;My tale provokes that question. Dear, they durst not(So dear the love my people bore me) setA mark so bloody on the business; butWith colours fairer painted their foul ends.In few, they hurried us aboard a bark,Bore us some leagues to sea; where they preparedA rotten carcass of a butt, not rigg’d,Nor tackle, sail, nor mast; the very ratsInstinctively have quit it. There they hoist us,To cry to the sea that roar’d to us, to sighTo the winds whose pity, sighing back again,Did us but loving wrong.Mir.Alack, what troubleWas I then to you!Pros.O, a cherubinThou wast that did preserve me. Thou didst smile,Infused with a fortitude from heaven,When I have deck’d the sea with drops full salt,Under my burden groan’d; which rais’d in meAn undergoing stomach, to bear upAgainst what should ensue.Mir.How came we ashore?Pros.By Providence divine.Some food we had and some fresh water thatA noble Neapolitan, Gonzalo,Out of his charity, who being then appointedMaster of this design, did give us, withRich garments, linens, stuffs, and necessaries,Which since have steaded much; so, of his gentleness,Knowing I lov’d my books, he furnish’d meFrom mine own library with volumes thatI prize above my dukedom.Mir.Would I mightBut ever see that man!Pros.Now I arise.[Puts on his robe.]Sit still, and hear the last of our sea-sorrow.Here in this island we arriv’d; and hereHave I, thy schoolmaster, made thee more profitThan other princess can that have more timeFor vainer hours, and tutors not so careful.Mir.Heavens thank you for ’t! And now, I pray you, sir,For still ’tis beating in my mind, your reasonFor raising this sea-storm?Pros.Know thus far forth.By accident most strange, bountiful Fortune,Now my dear lady, hath mine enemiesBrought to this shore; and by my prescienceI find my zenith doth depend uponA most auspicious star, whose influenceIf now I court not but omit, my fortunesWill ever after droop. Here cease more questions.Thou art inclin’d to sleep; ’tis a good dulness,And give it way. I know thou canst not choose.[MIRANDA sleeps.]Come away, servant, come; I am ready now.Approach, my Ariel; come.Enter ARIEL
Ari.All hail, great master! grave sir, hail! I comeTo answer thy best pleasure, be ’t to fly,To swim, to dive into the fire, to rideOn the curl’d clouds. To thy strong bidding taskAriel and all his quality.Pros.Hast thou, spirit,Perform’d to point the tempest that I bade thee?Ari.To every article.I boarded the king’s ship; now on the beak,Now in the waist, the deck, in every cabin,I flam’d amazement. Sometime I’d divide,And burn in many places. On the topmast,The yards and bowsprit, would I flame distinctly,Then meet and join. Jove’s lightnings, the precursorsO’ the dreadful thunder-claps, more momentaryAnd sight-outrunning were not; the fire and cracksOf sulphurous roaring the most mighty NeptuneSeem to besiege, and make his bold waves tremble,Yea, his dread trident shake.Pros.My brave spirit!Who was so firm, so constant, that this coilWould not infect his reason?Ari.Not a soulBut felt a fever of the mad, and play’dSome tricks of desperation. All but marinersPlung’d in the foaming brine and quit the vessel,Then all afire with me. The King’s son, Ferdinand,With hair up-staring,—then like reeds, not hair,—Was the first man that leap’d; cried, “Hell is empty,