The Cambridge History of English and American Literature in 18 Volumes (1907–21). rn VOLUME XVII. Later National Literature, Part II.

VIII. Mark Twain

§ 15. Fiction

Mark Twain’s fiction, a large and highly diversified section of his total output, should be regarded as, hardly less than the travel books, the work of a humorist whose most characteristic form was a medley in divers keys. His critical champions used to allege that recognition of his sterling literary talent was delayed by his reputation as a creator of laughter. At the present time the danger is perhaps rather that some of his novels and tales will be unduly disparaged precisely because criticism has been persuaded to take them too seriously. With an instinct for an ingenious plot and unquestionable power of characterization within certain limits, Mark Twain sometimes lacked the ability and the patience and even the desire to carry a long piece of fiction through in the key on which he began. He would begin a story, for example, on the key of impressive realism, shift to commonplace melodrama, and end with roaring farce; and this amounts to saying that he did not himself steadily take his fiction writing seriously. He sometimes took it very lightly, like an improvising humorist; and the discords which affect the severely critical ear as blemishes probably struck his own ear as a joke. There is amusement in the most uneven of his novels if one relaxes to the point of reading it in the mixed moods in which it was written.