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Interpretation of the Balcony Scene by Baz Luhrmann and Franco Zeffirelli of William Shakespreare's Romeo and Juliet

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Interpretation of the Balcony Scene by Baz Luhrmann and Franco Zeffirelli of William Shakespreare's Romeo and Juliet “Romeo and Juliet” is a famous love story written by William Shakespeare. Two interpretations were made of this text into a film by the two directors, Baz Luhrmann (1996) and Franco Zeffirelli (1968). The films use different types of media to portray the characters and the overall context of Shakespeare’s play. I will be focusing on Act two Scene ii (the balcony scene) where I will compare how the two directors use media in the films. In Baz Luhrmann’s interpretation of the film we are introduced to a modern scene which makes it easier for the audience to understand and comprehend …show more content…

It triggers off when Romeo bumps into the statues and smashes them on the floor which makes the dogs bark and there is an addition of rustling leaves, these are some of the sound effects that have been used, which builds up tension and causes more of a scene. In action to this, Romeo climbs up the wall that leads to Juliet’s balcony in order to get to her. The camera shot used is a close up of Romeo to show his emotional distress that he is feeling. The statues in this scene represent Juliet as a goddess and that she is very important, this is a key fact to remember in Romeo’s eyes. This version is different to the text as Juliet does not say her famous lines from the balcony, but comes down from her room to the pool outside, where she recites her lines with passion thinking of her dear Romeo. In Zeffirelli’s account of the film, Romeo is shown down below in the bushes whereas Juliet is the higher and more powerful person out of the two of them, and she is shown as the higher person sitting on the balcony. Once again this has been showing the higher and lower and lower angle shots. It also shows a point of view camera shot throughout this scene, meaning that the film would be played throughout the character’s eyes, as if Romeo or Juliet were filming it themselves. This is done a lot in

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